I enjoy the occasional foray with a pinhole camera, even building one myself not so long ago and so was annoyed with myself for missing World Pinhole Photography Day (WPPD) in 2019. I was determined not to miss it this year however and had even scouted out a couple of suitable locations on the River Calder ready for the big day. I was it seemed all-set and ready to go.
I missed WPD-2019 and had big plans for 2020
WPPD is held on the last Sunday in April – the 26th this year – and of course, I’m being shielded at home and not allowed out of my yard! Best laid plans and all that.
I was determined not to miss the fun though and so the night before I loaded a fresh roll of Acros II into my wooden Zero Image 612 pinhole camera and dug out a mini tripod. At 7.30am on WPPD morning I was out in my backyard with pinhole camera, mini tripod and light meter to capture my first WPPD submission.
When set to 12×6 my pinhole camera takes five frames (you can shoot six but the sixth is truncated) and as exposure can be hit and miss it is important to think before opening the shutter. I took three compositions, two of which I ended up scanning. The first two compositions were bracketed, two frames at different exposure times, and I used an App on my phone as a light meter having first checked with my handheld meter that it was reading sufficiently accurately. The benefit of the App is that it will display the exposure for an f-stop of 150 which my light meter does not.
After breakfast I processed the roll of film in Perceptol (1+1) and was chuffed to find some decent exposures; indeed, every frame could be darkroom printed if desired and the negatives scanned very nicely on my Epson scanner. My chosen image (above) was uploaded the following morning although I did upload it to my Flickr photo stream on the Sunday afternoon along with one of the other compositions. The third composition I chose not to use as it had not worked as well as I’d hoped but two out of three is not bad!
The image is awaiting moderation by the WPPD team but will eventually be viewable HERE I believe.
With all the differences between different colour negative film stocks, scanning can be a bit hit and miss. Here I briefly demonstrate the method I use, it is not perfect but produces acceptable results most of the time. I’m sure with a far more rigorous approach it could be done better but who wants to spend hours scanning and processing negatives – I’d much rather be in the darkroom!
It’s been a couple of weeks since my last post so I thought I ought to do something to reassure my reader that I’m still here! With a compromised immune system I’m being a little careful about social interaction but have been very busy indoors including a full day in my makeshift darkroom recently.
Looking at my notes I see I’ve shot over thirty rolls of film this year already, a mix of 35mm and 120 medium format. Twenty six of those I developed before cracking my tank last week so I have five awaiting the delivery of a replacement tank. I’ve opted for a larger tank this time so I can develop two 120 rolls, or three 35mm, at the same time.
A few of those rolls have been created by a newly acquired Bronica ETRS and a trio of lenses (40mm, 75mm and 250mm). I’ve shot medium format many times over the years. I’ve previously shot with a Pentax 645 (the only camera I’ve ever regretted selling), I also have a Hasselblad 500CM, Mamiya C3 TLR and a Mamiya RB67 in my bag all of which I’ve used recently. So I’m no stranger to medium format. But, the Bronica has stolen my heart at the moment. At 6×4.5 it’s the smallest of my medium format cameras but it’s SLR-like handling is a joy. I also have the option to swap in a waist level viewfinder for that traditional MF experience too.
There will be more to come over the months I’m sure but for now stay safe and take care!
I made a conscious decision today to shoot my 366 image with my iPhone during the school run (which would include a detour to get the wife’s newspaper). I took half a dozen images, two of which I liked a lot but this was the final choice for the 366 once I’d “lived” with both images for the day.
The ultimate street photography camera is a bit of a holy grail amongst enthusiasts. Each system has its own proponents, mine is a Fuji X100t, but despite what they may think no one system is the ultimate in my eyes. Each has its strengths and weaknesses and used correctly each can produce very satisfying results.
I use the Fuji X100t as my main “street camera” (in reality its my always-in-my-pocket-camera) and also when I want to shoot film a pocketable Ricoh 35ZF. Whilst I’d used my smartphone whilst out to take snaps I’d never seriously considered using it for “proper” photography. Until last week.
The results of this experiment were very pleasing and a selection of iPhone images have been used in this post. More will follow in a subsequent post. The beauty of using the phone is that, should I so desire, I can immediately open the image in Snapseed (other post processing software is available) and create the finished image right there and then. I can do this with my Fuji X100t too by wirelessly transferring it to my phone but compared to the direct iPhone capture this is a little cumbersome.
It’s been a while but the X100t and I took to the streets over the past couple of days after quite a long gap. With an open mind and a fully charged battery we pottered from Liverpool Lime Street down to the Albert Docks with many a detour along the way.
I’m back home now and have just had a little chimp at the back of the Fuji. I’d posted a handful of images Thursday evening to Flickr so knew I had some “keepers” but the acid test will come when I download the files to the computer and have a proper look.
Some of my iPad edits look promising and there are a couple which will warrant a blog post of their own. It wasn’t just the Fuji that I used however so expect a “Street – shot on iPhone” post too. I also explored the RC Cathedral and it’s crypt with a 360 camera before I left so that is to follow in due course I hope.
Most mornings I wander down to the local newsagent for the wife’s paper and sometimes venture as far as the local supermarket. Reading my recent posts it would be easy to think that I only go out with a film camera these days but that wouldn’t be accurate. My Fuji X100t still accompanies me everywhere.
This morning I took the Diana F+ in order to shoot the last six frames of Lomography 400 colour negative film that had been in the camera for months. It’s a camera I will be selling as soon as I’ve confirmed it’s working properly by developing the roll of film. With those six frames completed I pulled the Fuji out of my pocket and shot the equivalent of a roll of 35mm film with that.
The X100t is an old friend and a camera I’m completely at home with. When the X100f came out I didn’t even look at the specifications of this successor such was my total faith with the “t”. The X100v was released recently, with tilting screen and a new processor, but other than briefly looking at the press release I’ve not even considered it – within the X100 series I’ve found the iteration of this camera that suits me nicely. I did buy the original X100 but it’s idiosyncrasies were too much for me and I sold that camera before returning with the third iteration in the guise of the X100t.
So, three images here all captured whilst I walked to the supermarket this morning using the Fuji X100t digital camera that I carry with me everywhere even when primarily shooting one of my film cameras.