Gratuitous drone imagery … working on my backlog of processing!
Gratuitous drone imagery … working on my backlog of processing!
Sitting between the night and the morning is a kind of twilight zone that many photographers call The Blue Hour (there’s also one in the evening but it is this very morning that I’m concerned with). Although I have not yet found an official definition for the blue hour, the blue color spectrum is I am reliably informed by Master Wiki most prominent when the sun is between 4 and 8° below the horizon. In my experience it isn’t actually an hour, its effects are often only apparent for between 20 and 40 minutes but that’s possibly nit picking really, most photographers will know what I mean by “blue hour”.
I enjoy the blue hour particularly when shooting in an urban environment. In towns and cities, buildings are still illuminated, Windows are lit and streetlights are often still on, making it an ideal time for urban photography. It’s also ideal for landscape photography because of the different shades of the sky and colour saturation but for me the magic lies in the urban environment. However, I find this brief period before it comes properly light to be both frustrating and productive in equal measure.
This morning’s blue hour started for practical purposes around 7:20am here and by 7:45am was basically all over. When this period coincides with wet pavements and clear skies it can be magical. The key in my view is knowing your patch. It also helps to moderate your expectations.
This morning after dropping the wife at work I knew I had around 15 minutes of usable blue hour available so there was not time for a leisurely stroll looking for compositions. It had been raining off and on all morning so the pavements were wet which was ideal. I decided that a shot of the Dean Clough complex from the bridge outside the leisure centre would make a good shot in these conditions and it also had the benefit of being a hundred yards from where I had dropped the wife off.
On the way in I had driven past the entrance to the Piece Hall and not d the doors were open so having secured the Dean Clough image I jumped in the car and drove across to the Hall. At that time of the morning I was able to park easily outside the entrance and as it was still pre-8am it didn’t cost a penny either. I had two compositions in mind both requiring a large depth of field but fortunately both were to be shot with the camera on the paving so there was no need to grab the tripod.
Two locations, three images and twenty minutes later I was heading to a local cafe for a restorative black coffee… I might have had a butty too!
I’ve posted a few splashes recently and just before I put it all away so I could use the table for something else I decided to take a few pictures of the set-up for a future blog post. It’s not my intention to write a tutorial, I’m still learning and watching/reading tutorials myself, but just to show what I use for those who might be interested.
The basic kit is not exactly cheap but then again given the amount of money photographers spend on owning the latest camera bodies and lenses it is not too extravagant a purchase to give your photography another outlet. I sometimes wonder how many photographic trips I might have embarked upon if I hadn’t bought and sold kit so often in the past.
I guess it should be said also that the kit has minimal uses apart from releasing drops of water so unless you feel you are going to get plenty of use then you may want to consider whether you want to incur the cost. I had played with more Heath Robinson set ups previously so had a basic interest. I also enjoy playing with flashes and solving the myriad problems, creative and practical, that are involved when working indoors with small flashes. Over time some of the solutions evolve and I purchase items specifically to address problems that have had somewhat cruder solutions. For example I ordered some white sticky-backed plastic today to line the large tray I use to catch stray water and in which the rest of my set-up sits. The black tray creates a lot of darker shadows in the water so I’ve been using a white towel under the water bath to mitigate against this. Having found a workable solution (white towel) to the problem (dark areas of water) I then came up with a more permanent solution. Problem solving is one of the aspects of this type of photography that keeps me interested.
I’ve mentioned in a previous post that plain water is not the easiest liquid to use but it is currently my preferred solution for two reasons; availability and also whilst I’m learning I think it helps to have some consistency. That’s not to say I am not going to try other liquids but for now this is one variable that I can keep consistent whilst I learn. I will certainly be playing with other liquids though, I did have a try with some milk when I first bought the kit but quickly decided to stick with water whilst I learnt the basics. But that is just me, others may find milk for example easier than water.
One thing not provided in the kit but without which this type of photography is extremely problematic is a flash unit or two. To create the burst of light required to freeze the motion of the drops requires that the set up is lit with a flash. Flash units can be bought fairly cheaply these days and of course unlike the SplashArt kit have plenty of uses apart from water art. I initially purchased a cheap, generic flash unit to use alongside the Nikon flash that I already owned. This was quickly complemented by a second cheap unit and in April 2017 when I bought the kit this was my set up. More recently I have taken to using the Nikon macro flash kit as the units are smaller and easier to use in a confined space. The bigger flashes offer more power but I’ve not yet found any downside to using the smaller units; they were not bought for this project however and the cheap, generic flash units did a great job too. It’s not what you’ve got it’s what you do with it could be the watchwords here.
Because the process can be fiddly, especially during the iterative process of getting the timings right for the release of the second drop and then then triggering the camera I like to keep everything to hand and often have a stool to sit on (old age comes with some perks). Care needs to be taken to ensure this stays dry though and it is fortunate that the cables supplied are a good length, arguably much longer than needed but this is a benefit.
The principles are very easy. One button controls the size of the first drop of water, another the delay between first and second drop and a third to control the size of the second drop. A fourth button, set below the others, controls the timings for releasing the shutter, the unit being attached to the camera’s cable release socket. The fifth, ridiculously tiny in my view, button has a dual function as it is used to toggle between one drop or two and is also used to trigger the unit. It is very easy to understand but can at times be very fiddly to get just right. The trick is only changing one variable at a time in my experience. The process is however not for those with limited patience!
So, there you have it. A quick tour of my set up and a few thoughts on the process. Given time I will probably try to write more of a tutorial but for now this will have to suffice.
Three images that have been seen before but these have been re-processed and converted to black & white using a common set of adjustments in Silver Efex Pro.
Alliteration has been a weakness of mine for many years!
As part of my ongoing videography development I decided to try to create a short video that used no drone footage, no time-lapses and no stills apart from a short slideshow at the end. In other words from start to finish just video footage shot specifically for the project. To simplify it slightly I was going to revisit a regular location and spurred by my Sunday sunrise success (more alliteration but see earlier post) I planned to shoot a sunrise for this exercise.
The weather forecast was such that a misty start was a possibility but the forecast was also for reasonably clear skies with just a little cloud cover. Visions of low lying mist with a blue sky above, dotted with fluffy clouds, filled my mind. Knowing the lay of the land and where the sun would rise I was also thinking that if the sun peeked through said clouds I would get some lovely side lighting across the rocky edge at Buckstones.
Would you be surprised to find that it didn’t go to plan? In fact I think the trendy term is (or was?) #fail
My alarm went off at 5.30am and resisting the urge to snooze the alarm I was out of the door, flask of coffee in hand, by 6.00am. After a stop for diesel I was in place ready to shoot before 6.30am. Camera (Fuji X-T20) on tripod – check. Camera in video mode – check. Fluid video head in use – check. Audio recording active on camera – check. Lapel mic in place ready to capture my pearls of wisdom – check.
In short, a text book departure and set up. Sunrise was due at 6.59am and I was ready and waiting by 6.45am. The Nikon D800E was at my feet and I have never been better prepared for a shoot – ever. Period. There was just one problem. I had to guess at the composition because I could only see a few feet in front of me.
I stuck it out until 8.30am at which point I had to get back home to keep an appointment. During the two hours on location I shot video, waffled into the tiny dead cat on my collar and even took a couple of stills. At no point did the mist lift. There were a couple of occasions when there seemed to be a slight gap in the mist as it drifted across in front of me but at no point during the time I was there did it clear even for a short period.
Whether the video will get made is as yet an unknown quantity. I haven’t looked at what I have on the memory cards and nor have I listened back to the audio to see if I have enough to make something worth listening to or looking at. Unfortunately it will need to wait until next week at the earliest as I’m away on a conference until Sunday. If it does get made it will be a major achievement!
But, in closing, it is important to note one key thing – I had a fabulous two hours, enjoyed the solitude, the peace and the joy of trying to create something despite the conditions. There may, or may not, be an end result but I had a great morning.
OK, not the most original title ever but it has the benefit of accuracy.
As I’ve already mentioned in an earlier post today I “mis-timed” my departure this morning; or to put it another way overslept. I had checked and knew sunrise was 6.58am so, allowing for a twenty minute drive and ten minutes to set two tripods up and get cameras in place I calculated that I’d need to be out of bed at 5.45 to give me time to dress, make a flask of coffee and get the gear into the car. I awoke at 6.28 and although I moved quickly I was already past my ideal set-off time when my feet touched the bedroom floor.
Despite driving within the legal limits, of course, I was still five minutes from my intended destination, and still fifteen minutes behind schedule, when, glancing in my rear view mirror, I saw that the sun was just about to pop its head over the horizon. Luckily the road up on the moors was quiet at 6.57am so I managed to pull over and grab the camera (Nikon D800E with my trusty Nikkor 24-70) for a couple of shots including the 10-frame panorama I posted when I got home. I had no time to do anything other than grab the camera and shoot handheld with whatever lens happened to be on it; I would have preferred the 70-200. Nor was there time to add ND graduated filters so I bracketed and hoped that the dynamic range of the camera and some judicious post-processing would come to my rescue.
Still hoping that I’d get something at my chosen location I jumped back in the car. In the end, despite visiting two alternative shooting spots, the conditions just five minutes down the road were nowhere near as photogenic. I debated sitting with the flask and just waiting but realised that there was a totally clear sky above the scene and by the time the sun illuminated my view it would also be very harsh.
I decided to go back and chase the light and the rapidly dispersing mist back down the valley.
I stopped just over the brow of the hill, swapped the 24-70 for the 70-200 and knowing that I had an image in the bag already took the time to get the tripod out. The light in the upper part of the sky was much brighter than the foreground but with the sun almost bald in the sky creating huge variances within that upper area of the frame no amount of graduated ND filters were going to make much difference. I therefore bracketed by five stops but in the end only used a single frame choosing to crop the sun out on the computer.
I stopped three times driving back managing a few nice images including the tree above which sits just above the M62 motorway. The third stop, at the reservoir, yielded nothing unfortunately. Just as I got the tripod out of the boot, the geese, which had roosted overnight on the water and were my intended subject, suddenly rose and disappeared before I could even extend a single tripod leg.
However, I was not going to complain. I had chased the rapidly dispersing mist down the valley and captured a few nice images so all in all a good start to the day. It was a shame my intended location wasn’t “doing it” for me this morning but as I’ve said before nothing beats knowing your patch and it was that knowledge that was my friend this morning.