So, my Smart Week actually spread out a little and was almost a fortnight in the final analysis and indeed is still ongoing in the background. Did I enjoy it? What did I learn and would I do it again?
First off, it’s been a fascinating and enjoyable experience. Going away for a few days with nothing more than a phone in my pocket, a mini tripod and a holder to join the two together was a strange experience but it forced me to focus on the challenge and not get distracted by my usual photographic tools. My delve into the available software was an eye-opener and I’m sure only skimmed the surface. I tried a handful of new apps and have earmarked a few more for the coming weeks but I suspect there’s a lot more to discover.
I learnt that there is a large and evolving ecosystem out there, one that I’d been largely ignorant of. You Tube for example is awash with smartphone content (at the usual variable range of YT standards) and social media absolutely swamped with smartphone imagery. There are apps to take images, apps to process them and apps to combine images in a myriad of ways. As well as straightforward photography there is also an active artistic community that uses their smartphone as the basis of their art. A well-established online magazine, Mobiography, was a chance find but a very interesting read nonetheless.
I also learnt the importance of supporting the smartphone properly for maximum image quality; self-evident perhaps but probably not at the forefront of ones mind when using a phone. I learnt how to hold the phone more securely but also learnt that a tripod, big or small, is a basic requirement. With the choice of apps that hand the photographer full manual control of the smartphone’s camera there is no excuse now for second-rate images.
In terms of post processing I had been using Snapseed for some time and to be fair will not be changing that any time soon. However, the improvements to Lightroom Mobile were a revelation and I have added it back into my small list of post-processing apps that I will use regularly.
The acid test for a photographer would be “did I get the image?” I guess and the short answer here would be “yes”. The phone gave me all the options of a point and shoot camera in a small package that I always carry anyway. It’s no surprise the P&S camera market is in decline; based on my experience there is no need to carry a P&S when you’ve got a modern smartphone in your pocket anyway.
So, in terms of my original challenge which was to use an iPhone exclusively for seven days I definitely met and exceeded my objective. In terms of what I learnt I surprised myself not only at the amount of apps out there but at how vibrant and enthusiastic the community are. Whilst nothing will replace the enjoyment of using my full-sized cameras, certainly not my film cameras, I have to say that I wouldn’t hesitate to take just the iPhone in the future, although I would make sure I took the holder and mini tripod!
And finally, a bonus observation. It’s no secret that I love the panoramic format and therefore having a panorama mode on my iPhone is a big treat. I’ve used it both indoors and outdoors, and both handheld and on a gimbal. On the whole the results have been pretty good as this indoor example demonstrates.
However, I’ve found it a little more fussy than my Fuji camera when doing a handheld sweep panorama and occasionally it misses the stitching. The hit rate is definitely better with the Fuji but when the iPhone nails it then it does a great job and to be fair it definitely does a good job most of the time. It does pay to be wary of moving subjects though, especially with third-party apps that take a sequence of images rather than a continuous sweep. I’m thinking specifically of the DJI Go app which I used for the image above. On that occasion I asked my wife to stay still but the example below shows what can happen if your subject moves …