My Smart Week – the conclusion

So, my Smart Week actually spread out a little and was almost a fortnight in the final analysis and indeed is still ongoing in the background. Did I enjoy it? What did I learn and would I do it again?

First off, it’s been a fascinating and enjoyable experience. Going away for a few days with nothing more than a phone in my pocket, a mini tripod and a holder to join the two together was a strange experience but it forced me to focus on the challenge and not get distracted by my usual photographic tools. My delve into the available software was an eye-opener and I’m sure only skimmed the surface. I tried a handful of new apps and have earmarked a few more for the coming weeks but I suspect there’s a lot more to discover.

I learnt that there is a large and evolving ecosystem out there, one that I’d been largely ignorant of. You Tube for example is awash with smartphone content (at the usual variable range of YT standards) and social media absolutely swamped with smartphone imagery. There are apps to take images, apps to process them and apps to combine images in a myriad of ways. As well as straightforward photography there is also an active artistic community that uses their smartphone as the basis of their art. A well-established online magazine, Mobiography, was a chance find but a very interesting read nonetheless.

I also learnt the importance of supporting the smartphone properly for maximum image quality; self-evident perhaps but probably not at the forefront of ones mind when using a phone. I learnt how to hold the phone more securely but also learnt that a tripod, big or small, is a basic requirement. With the choice of apps that hand the photographer full manual control of the smartphone’s camera there is no excuse now for second-rate images.

In terms of post processing I had been using Snapseed for some time and to be fair will not be changing that any time soon. However, the improvements to Lightroom Mobile were a revelation and I have added it back into my small list of post-processing apps that I will use regularly.

The acid test for a photographer would be “did I get the image?” I guess and the short answer here would be “yes”. The phone gave me all the options of a point and shoot camera in a small package that I always carry anyway. It’s no surprise the P&S camera market is in decline; based on my experience there is no need to carry a P&S when you’ve got a modern smartphone in your pocket anyway.

So, in terms of my original challenge which was to use an iPhone exclusively for seven days I definitely met and exceeded my objective. In terms of what I learnt I surprised myself not only at the amount of apps out there but at how vibrant and enthusiastic the community are. Whilst nothing will replace the enjoyment of using my full-sized cameras, certainly not my film cameras, I have to say that I wouldn’t hesitate to take just the iPhone in the future, although I would make sure I took the holder and mini tripod!

To close … no edit done post-capture

And finally, a bonus observation. It’s no secret that I love the panoramic format and therefore having a panorama mode on my iPhone is a big treat. I’ve used it both indoors and outdoors, and both handheld and on a gimbal. On the whole the results have been pretty good as this indoor example demonstrates.

iPhone 13 Pro on a gimbal

However, I’ve found it a little more fussy than my Fuji camera when doing a handheld sweep panorama and occasionally it misses the stitching. The hit rate is definitely better with the Fuji but when the iPhone nails it then it does a great job and to be fair it definitely does a good job most of the time. It does pay to be wary of moving subjects though, especially with third-party apps that take a sequence of images rather than a continuous sweep. I’m thinking specifically of the DJI Go app which I used for the image above. On that occasion I asked my wife to stay still but the example below shows what can happen if your subject moves …

Oh dear!

Picture of the day – 3rd March 2030

I made a conscious decision today to shoot my 366 image with my iPhone during the school run (which would include a detour to get the wife’s newspaper). I took half a dozen images, two of which I liked a lot but this was the final choice for the 366 once I’d “lived” with both images for the day.

Smartphone(ography?)

Over the last 12 months my photographic interests have shifted considerably and whilst stills photography is still a primary interest (it needs to be as I’m 650+ days into the 365 Challenge) my main interests these days are Audio-Visual, instant photography and exploring what can be done with my iPhone.

I recently joined a smartphone photography group run by the UPP through which I hope to see a range of work each month produced by other enthusiast photographers using smartphones. I am particularly interested to see how people interpret the world around them through the medium of what is essentially a point and shoot camera albeit one with a built-in darkroom and special effects studio!  I see a lot of smartphone images every day on the internet but these will be from a small group of people who would classify themselves as enthusiast photographers and I’m wondering if they will therefore approach things differently.

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Candid: iPhone XR + Hipstamatic app

Purchasing the Huawei P20 Pro smartphone earlier in the year persuaded me of the potential for smartphone photography and whilst I sold the phone within a few months it was in no way a reflection of the built-in camera, which is superb, but simply that I couldn’t get on with the Android software that powered the other functions of the handset (text messages, internet browsing, checking emails … oh and making phone calls).

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Huawei P20 Pro – this printed at A3 beautifully

I have a small album of smartphone images on my Flickr account which I shall be adding to over time. I’m only just starting to realise the full potential of this creative tool though. They say that necessity is the mother of invention and my prolonged spells of being confined to barracks over the last couple of months have at least given me the opportunity to play, to experiment and also research the options. I have settled on a few key Apps for my use, figuring that getting to know a few pieces of software well will in the long run produce better results than a nodding acquaintance with a whole store-full of Apps.

STOP!
STOP!

My go-to App therefore for any post-production is Snapseed. I believe that smartphone photography should mean exactly that, all the stages of the process completed on the smartphone, in my case these days an iPhone XR which I believe is the current entry-level iPhone. Therefore I shoot with the iPhone, post-process with Snapseed on the phone and then upload to social media or the cloud from where I can grab images for Flickr if I so desire. I use Instagram too (link is to one of my three IG accounts) and always post to that account from my iPhone. I’m not impressed by the Flickr App on my phone however so prefer to upload those from my desktop.

Piece Hall, Halifax: iPhone + Hipstamatic via Instagram. The logo applied in Snapseed

Capturing the images is done either using the phone’s native camera or with the Hipstamatic App. Which of these I use at any given time depends largely on the intended purpose and to some degree on how I feel. Pictures of the grandsons for example are largely for family consumption so I use the native camera. This is not set in stone though and a recent exception were a few images of Zac (see first image above) which were captured for my 365 and I chose to use Hipstamatic for the effect created by the John S “lens” and Rock “film”.

At present these two Apps do pretty much everything I need so I am concentrating on learning how to use them rather than diluting my efforts chasing loads of other Apps. The one thing that would make Snapseed the perfect post-production tool on my phone would be more sophisticated black & white conversion options or at least a range of B&W presets. I’m still looking in to other options but at present am converting images with the very basic tool within Snapseed and then tweaking with the regular fine-tuning tools. I’d appreciate being able to quickly replicate particular looks however which is where presets are so useful.

Zac (double exposure)
Double exposure in-phone: iPhone XR Hipstamatic (John S + Blanko)
Finishing touches (including logo) in Snapseed

Interestingly I choose never to use presets within Photoshop or Lightroom when processing images from my Fuji cameras yet I am starting to see them as key components of smartphone photography. Horses for courses?

There will be more on this topic in coming months I’m sure. In the meantime, I’m finding that by using two mediums (instant and smartphone) that are not technically “perfect” I am more likely to experiment – is this something that others find?