On the Street – again!

It’s been a while but the X100t and I took to the streets over the past couple of days after quite a long gap. With an open mind and a fully charged battery we pottered from Liverpool Lime Street down to the Albert Docks with many a detour along the way.

For once I left the splash of colour

I’m back home now and have just had a little chimp at the back of the Fuji. I’d posted a handful of images Thursday evening to Flickr so knew I had some “keepers” but the acid test will come when I download the files to the computer and have a proper look.

A second too quick in pressing the shutter!

Some of my iPad edits look promising and there are a couple which will warrant a blog post of their own. It wasn’t just the Fuji that I used however so expect a “Street – shot on iPhone” post too. I also explored the RC Cathedral and it’s crypt with a 360 camera before I left so that is to follow in due course I hope.

Grittier processing than usual – shot and processed on iPhone

Morning constitutional

I have captured this with many different cameras

Most mornings I wander down to the local newsagent for the wife’s paper and sometimes venture as far as the local supermarket. Reading my recent posts it would be easy to think that I only go out with a film camera these days but that wouldn’t be accurate. My Fuji X100t still accompanies me everywhere.

This morning I took the Diana F+ in order to shoot the last six frames of Lomography 400 colour negative film that had been in the camera for months. It’s a camera I will be selling as soon as I’ve confirmed it’s working properly by developing the roll of film. With those six frames completed I pulled the Fuji out of my pocket and shot the equivalent of a roll of 35mm film with that.

With “red filter” option

The X100t is an old friend and a camera I’m completely at home with. When the X100f came out I didn’t even look at the specifications of this successor such was my total faith with the “t”. The X100v was released recently, with tilting screen and a new processor, but other than briefly looking at the press release I’ve not even considered it – within the X100 series I’ve found the iteration of this camera that suits me nicely. I did buy the original X100 but it’s idiosyncrasies were too much for me and I sold that camera before returning with the third iteration in the guise of the X100t.

Versatility and great tones straight out of the camera are key features of the Fuji X100t which is why it lives in my pocket

So, three images here all captured whilst I walked to the supermarket this morning using the Fuji X100t digital camera that I carry with me everywhere even when primarily shooting one of my film cameras.

Perfectly Imperfect #20

August #20

The image surface of the Instax Mini film is 46x62mm – which means that most of us using a desktop machine will be viewing the scan above at considerably more than the prints physical size.

The whole point of Instax Mini though is not photographic-perfection but that is that it is fun. It’s not a serious photographic tool, but meant to be something that captures the moment. Pixel peepers need not apply! This was the very first shot from a secondhand Instax Mini 70 camera and despite its flaws captures a spontaneous moment in a way that couldn’t or indeed wouldn’t be captured by the nearest camera at the time – my Fuji XT3 which has a 100-400 lens permanently fitted.

Horses for courses.

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iPhone XR capture

As this was the very first image we captured I was not aware of the light leak, something I associate with Lomography or Polaroid but until now not with Fuji Instax. I found that I could cure the problem by using the case which came with the camera (which is for a Mini 8 but that’s another story). I think I’ve isolated the point at which light is leaking in so it’s either some black gaffer tape or the neat brown, semi-fitted case.

Photography is fun, we all lose our mojo at times, what better way to regain it!

Street in Southport

We’ve been to Southport a couple of times this year, just for a couple of nights to get away from the noise and hustle of our family home which bursts with three generations of our family. As the Oldies we probably need the peace more than anyone! On the last visit we decided to go and sample the delights of Southport’s retail experience. At least the wife went shopping! I went for a wander around an indoor shopping arcade. I just so happened (!) to have the Fuji X100t in my coat pocket.

Southport 1

Elizabeth Gray on the photographylife website defines street photography thus: “… street photography is about candidly capturing life in public areas.” It is one of many definitions that I have seen. Often partly contradictory, these definitions all have a slightly different take on the topic but all include reference to public areas and the word candid, or variations, crops up very frequently. However, the biggest variant I’ve found has been the inclusion of people. For some street photography seems to feature exclusively candid images of people going about their daily business. Some , like Bruce Gilden, best known for his candid close-up photographs of people on the streets of New York City, using a flashgun, are definitely in-your-face street photographers. Others take a less intrusive approach.

Southport 2

Do Street Photos Need People?

So, whether or not street shots need people in them is something that remains the subject of much debate. For myself, I do not feel that street photographs must contain people. That said, there needs to be something in the image that hints at the involvement of people. People are often in my frame, often as small but necessary elements of the composition and sometimes just as shadows or reflections. I will sometimes photograph things left behind by people, less though with the intention of leaving the viewer wondering what the story is behind the discarded objects but more as a comment on the crassness of a small element of the human race.

Southport 3
Three people, two walking into frame and a third reflected in a shop window (I/3rd way up on the left) but to my mind people are not a mandatory part of all street photographs.
Southport 4
A hint of the future presence of people perhaps?

So, with that said, what do I like to photograph on the streets? Well, pretty much anything as it happens. It’s all a matter of what takes my eye at the time and how bullish I’m feeling. It also depends on where I am. I will photograph on the streets of a small town such as Halifax but am considerably more conspicuous as you rarely see folk wandering about with a camera. A city like Liverpool or London however is a different kettle of fish as can be seen in some of the images on this earlier post many of which were taken with the same camera that I was using in Southport.

Southport 5
Next enclosure along …

The X100T, and to a lesser extent the X100 which I used before the T, is great for street and candid photography and the image quality at ISO 6400, when exposed correctly, is superb in my experience. An aperture of f4 is ideal with the 23mm lens of the X100T when shooting in public although if the main subject is a person I often open the lens up to f2.8. When the prime subject is not human however an aperture of f5.6 or f8 if the light allows is preferable for my taste.

Southport 6
Fuji X100t. 1/140th ISO 200 f5.6
Southport 7
All good street photography finishes with a cuppa!

So, an interesting hour. The wife only spent a few pounds and I enjoyed a wander around an admittedly quite arcade. I need to be in the mood for full-on street photography and the genteel peace of this old arcade was the perfect setting that morning.