A thought occurred to me this morning as I reread my recent Starting Point post. If I make a deliberate decision on the camera and/or film prior to going for a wander does that in some way invalidate the psychogeographical credentials of that walk? Even if the ultimate route is still down to chance and the whims of my peripatetic mind does a conscious decision regarding the photography dilute the essential randomness? It is perhaps important to remember that the photography is probably incidental to the dêrive; psychogeography (as I understand matters) is not a photographic discipline or genre but a way of exploring and experiencing the landscape.
If I choose for example to pick up the digital infrared camera (as I did today) will that in some way, consciously or otherwise, influence my wandering? To my mind, this camera works best in the urban environment when you can contrast the bricks, concrete and glass with trees, foliage and grass. As I walk a lot around my home town I do know where I am at all times as I mentioned in my last post. Reaching a junction and knowing where each option leads will my subconscious choose the route that will be better for the chosen camera or film? Or will it over-compensate and subconsciously choose the “worst” option?
Does it even matter though? Given that photography is presumably incidental to the the manner of the wandering is the act and mode of recording the dêrive irrelevant?
My gut instinct is that it is irrelevant how, or indeed if, a wanderer chooses to record their wandering. It is the manner of the walk that is important not whether or not one chose to record the event nor indeed the way in which one chose to record it.
It is a question I will revisit later in the year for certain!
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