It’s been a couple of weeks since my last post so I thought I ought to do something to reassure my reader that I’m still here! With a compromised immune system I’m being a little careful about social interaction but have been very busy indoors including a full day in my makeshift darkroom recently.
Looking at my notes I see I’ve shot over thirty rolls of film this year already, a mix of 35mm and 120 medium format. Twenty six of those I developed before cracking my tank last week so I have five awaiting the delivery of a replacement tank. I’ve opted for a larger tank this time so I can develop two 120 rolls, or three 35mm, at the same time.
A few of those rolls have been created by a newly acquired Bronica ETRS and a trio of lenses (40mm, 75mm and 250mm). I’ve shot medium format many times over the years. I’ve previously shot with a Pentax 645 (the only camera I’ve ever regretted selling), I also have a Hasselblad 500CM, Mamiya C3 TLR and a Mamiya RB67 in my bag all of which I’ve used recently. So I’m no stranger to medium format. But, the Bronica has stolen my heart at the moment. At 6×4.5 it’s the smallest of my medium format cameras but it’s SLR-like handling is a joy. I also have the option to swap in a waist level viewfinder for that traditional MF experience too.
There will be more to come over the months I’m sure but for now stay safe and take care!
A week or so ago I was considering selling this little camera … but since then I’ve shot five 36 exposure rolls with the Ricoh and haven’t left home without it.
I’ve shot with it in the rain, on the bus and even in the sunshine (although not many sunny frames) and it hasn’t missed a beat. So, it will be staying – it’s sat on the table next to me already loaded with a roll of TMax – but I still need to decide on a camera or three to release back into the wild!
I’m not planning on a POTD every day, that’s what my 365/366 on Flickr is for. However, as I managed a second morning out with the Ricoh 35ZF today I thought “why not?” and so here it is …
This was a quick handheld shot I grabbed as we left the cafe where we had breakfast this morning. It won’t win prizes for technical excellence but I like the atmosphere it creates.
Another digital scan of a darkroom print. This one is a 10″x8″ print on Fotospeed RCVC Oyster paper.
Taken with a Canon EOS 600 with a cheap and cheerful 28-105mm lens and the film was out of date Kodak 400TX, commercially developed, which had been in the camera since 2016 before I finished the roll recently. The print was a straight print with no dodging or burning.
As a brief follow-up to the Stand Development post, here is an image printed in the darkroom from one of those negatives.
A brief recap. The camera was a Nikon EM with a 50mm “E” lens. The film, Kodak 400TX (expired circa 2013) with this particular image being taken in early 2016, so the latent image has been languishing in the camera for over three years.
The print is grainier than I would prefer but as I already noted this was not the perfect situation for trying stand development. However, this is a straight print and despite the tonal differences between Zac and his background the whole print had a 17 second exposure under the enlarger and I have not needed to use contrast filters or any dodging and burning.
So, whilst it is unlikely that I shall be using stand development for 400 ISO films in the future I shall certainly be employing the technique from time to time and it’s a useful tool in my developing (pun intended) toolkit.