I have a couple of fully automatic point-and-shoot cameras from the 1980s in my collection, as those who have read some of my recent posts will know. Both are well-respected members of the 1980s P&S community and both have produced some very pleasing results for me. But how do they compare?
I don’t propose providing the full technical specifications of these two cameras, that information is readily available on the internet for those who might be interested. I am going to consider how they have handled for me over a few different scenarios. If you are looking for test charts and graphs then I will save you some time and suggest you stop reading now; this post relates to my real-world usage of both cameras and I definitely did’t get my white lab coat out for this comparison.
SCENARIO ONE: Both cameras loaded with bulk-rolled Fomapan 100 from the same batch. We were indoors with a toddler and a three-year old in a dimly lit room who’s play was mainly running around giggling interspersed with sitting on the floor. Both cameras kept up with what was going on and the leisurely pace suited them both. See also the section on Flash below.
SCENARIO TWO: Outdoors in a back garden, changeable light and four youngsters (aged three to nine) were playing on a makeshift water slide. Both cameras had 400 speed films loaded (one had Fomapan 400 the other Kentmere 400). In the event I mainly used the Yashica, given the overcast light I was forcing fill-flash to try to freeze motion and the fast refresh cycle of the Yashica proved a clear winner.
SCENARIO THREE: Urban wanders in Salford (Nikon) and Elland (both). This is my main photographic activity at the moment. Wandering the urban environment making images of whatever takes my eye has since the pandemic been the mainstay of my photographic output. Both handle very well for this type of photography. The automatic exposure on the Yashica particularly impressed on its first outing whilst the Nikon performed consistently and reliably. The filter thread on the Nikon would make it my preferred choice for B&W work (see below) but that would be my only reason for choosing the one over the other in this scenario.
In terms of handling then there is very little to choose. Both have a decent grip, both feel comfortable in the hand and on both the few controls that they do have all fall easily to an appropriate digit. The speed of the auto-focus was generally OK although pre-focusing and recomposing was a big feature as both use a single, central focus spot. The Nikon didn’t miss a beat focus-wise although the Yashica only missed on a couple of occasions. The shutter release is fairly sensitive on the Yashica whereas the Nikon needs a very definite push downwards. Not a major problem as you know about it so can adapt, however, if using both cameras simultaneously its easy to forget and I’ve several “premature exposures” from the Yashica as a result.
Batteries – being fully automatic cameras both need batteries to enable them to function. No mechanical fall-back either – it’s either working or it isn’t. The Yashica uses the 2CR5 6v battery, not something I tend to keep in the drawer whereas the Nikon uses two AA batteries which I not only keep in the house but are also readily available in all sorts of shops. I use rechargeable AA batteries which helps with cost but all told the Nikon is cheaper to set up; what I don’t know yet is how this works out longer term as I’ve not used other for long enough to judge. The manufacturer claims 1,000 exposures for the Yashica (500 with and 500 without flash). The Nikon manual claims around 100 24 exposure rolls without flash or 10 with constant use of flash. My crude calculation equates this to around 1,320 frames on a 50/50 like for basis compared to the Yashica’s 1,000. Even if they were the same the Nikon with its AA batteries would be more economical to run however.
But there’s another side to the battery equation – flash recycling times. As I mentioned in scenario two above the Yashica’s bigger battery and faster recycling times proved a real winner when the flash was being used for very image. This might be a consideration when deciding which camera to take with me therefore depending on what I think I will be photographing. I think I’d chose the Yashica for a family get-together over the Nikon for example.
Flash – the Yashica tended to bring the flash into play much quicker than the Nikon especially in the indoor scenario one. So, it was helpful that the 6V battery enabled almost instant recycling on most occasions; meaning that I wasn’t waiting for the camera to catch up with me before taking the next image. The same couldn’t be said for the Nikon sadly.
Several times I forced the Nikon to use the flash to give me some comparison images but looking back at the scenario one negatives the Yashica fired the flash on EVERY frame. As was to be expected from small, onboard flashes the results were nothing special although on a couple of occasions the Yashica managed a nicely balance image (bottom left in the grid below). The top two images are from the Nikon, with the lefthand one being flash-free. The bottom two are both Yashica and both used flash. Image-wise there’s little to choose however when using flash indoors although on the whole I don’t really like the results from either camera in this situation!
The little storage area above was very dim, with very little light penetrating the gloom. The Yashica did a sterling job with the help of its flash. This was a “grab and run” as I was leaving the cafe.
In the second scenario I was photographing the kids coming down a water slide in a back garden. I forced the flash to fire during this experiment. The recharging speed of the Yashica meant that I favoured it in this instance – however, when I looked at the negatives the Nikon had captured the kids more sharply, more often relative to the Yashica which surprised me. There was a fair bit of motion blur evident in some of these images.
Now, filters, particularly coloured contrast filters, are primarily of concern I guess to black and white workers but it’s something that I certainly look for. You’d look in vain for one on the Yashica although the proper 46mm filter thread on the front of the Nikon lens will be a delight to those who use contrast filters in particular. For an urban photographer, with a tendency to keep a yellow/green filter in place, this one facto alone makes the Nikon the first choice for urban or even landscape photography.
I have been more than happy with the quality of the negatives from both cameras. The first roll from Yashica for example scanned very easily and responded to a gentle Curves adjustment very nicely too. I’ve not yet printed from any of the negatives in the darkroom as that’s a Winter occupation for me. Negatives have been sharp though showing the quality of both lenses. I’ve used a variety of films both 100 and 400 iso and I’ve developed them in both my go-to Ilford ID11 and Kodak HC-110.
I’ve used both cameras a lot over the last couple of weeks putting a dozen or more films through them during this time. With little to choose between them its fair to say that either camera would be worth looking at in my view.
Well, as ever, it depends. Indoors or at family gatherings the Yashica definitely gets my vote largely due to the speedy flash recycling. This means I’m not left waiting before I take the next frame – important when your subjects are grandchildren! There is a “no flash” option too if needed which is worth knowing given the Yashica’s tendency to pop the flash whenever it fancies (it even did it outdoors yesterday).
For general outdoor use however then the Nikon wins hands down for me simply due to that filter ring. I am a traditional black and white worker and the use of contrast filters is second nature to me. Given that both cameras produce lovely images out of doors then the choice comes down to what some people might consider minor differences but which to me are of some importance.
I hope that my ramblings are useful to someone, somewhere and if even one reader finds them helpful then my job is done. Thanks as ever for reading this far (unless of course you’ve simply skipped to the end – in which case shame on you! 🙂
FOOTNOTE: I used both cameras with home-rolled Fomapan 100 from a bulk roll. I put two rolls of each through each camera and on one occasion the wind-on motor of the Yashica ripped the film straight out of the cassette. It cannot be rewound in that situation and unless you have the means of providing a completely dark space (I use changing bags) it is impossible to rectify without losing the roll. Mind you, if you’re rolling your own you probably have a changing bag at least but I thought it prudent to mention it.