I’ve been for a few walks in a small local wood over the last four days. Accompanied by an Intrepid 5×4 large format camera, a couple of lenses and a bagful of assorted black & white sheet film I have battled dry, damp, dull and dimly lit conditions in the pursuance of my art. Blog post to follow when I’ve finished developing and scanning.
Walsden is a large village near to Todmorden on the western fringes of West Yorkshire. Apparently, it has few claims to fame, or few that Wikipedia bother to list, but it does have a sprawling garden centre which is why I was there last week – as chauffeur for my garden-centre-loving wife. The Rochdale Canal also runs through Walsden, hugging quite close to the main road. So, after first consuming my wages of a bacon sandwich and strong black tea, I set off down the road to find the canal whilst the wife went off for her retail therapy. I was light of heart despite knowing I’d be light of wallet later and despite the nagging headache I’d woken up with.
As ever I was travelling very light with just a small shoulder bag. A mini-tripod, a few rolls of film, a couple of filters and an umbrella were the only accompaniments to the Nikon L35AF and Horizon S3 Pro, both loaded with Ilford Delta 100, a film I rarely use but had bought on a whim earlier in the month.
I had no real agenda or project in mind but instead was keeping my mind and my eyes open as I wandered. A few hundred yards along the main road I stopped to look at the textures of an old wooden fence, crudely patched with a wire mesh in places. I heard a bus pulling up fifty yards behind me and almost simultaneously I saw two ladies running towards me gesticulating at the bus. The camera in my hand was the Horizon S3 Pro and I instinctively raised it but then paused, realising that the image would have more impact if I could give the viewer some context. I waited for them to pass and then photographed them running towards the distant bus. It was I knew a good start to my wander.
Moving on down the road I wasn’t sure where I could access the canal but knew it would be on my right. Coming to a large junction I spotted my route and turned right to join the canal at a road bridge. There were five potential routes from this one spot and so I was glad I’d plumped for the right one.
Reaching the canal I turned left and continued walking out of the village. I knew I would have to turn around fairly soon but was keen to explore a little way in both directions.
I got talking to a chap walking his dog and enquired as to whether when I turned to head back I could come off the canal nearer to the garden centre. He explained I could but that it was easy to miss the point of exit as it wasn’t obviously a footpath. Armed with full instructions and a warning that if the garden centre appeared on my right then I’d missed the turning I turned and started walking back in towards Walsden.
I found the exit very easily with the instructions I had been given and I almost certainly wouldn’t have noticed the way out without the clear description from the chap I’d chatted to earlier..
By this time I had wandered for around an hour, using both rolls of Delta and enjoying the opportunity to wander out of doors. I made the last exposures with the S3 Pro just yards from the point at which I would rejoin the main road and decided not to load new rolls but to return to the car. My headache was no more, I had a few new nettle stings and the opportunity for a cool bottle of water was very appealing.
Back at the car I unloaded both cameras, checked Twitter on my phone and caught up with notifications and new posts from overnight and enjoyed a drink of cool water (always park in the shade folks). My wife is known for completely losing track of time at a garden centre, or any shop for that matter, but in the event she was only in there for three hours or so which by her standards is a quick visit. We celebrated this achievement by sitting in the car with an ice cream each before heading for home. Driving back, with some decent latent images (I hoped) on the films nestling in the pocket of my shoulder bag I reflected that it had been a grand day out.
My last blog post generated a fair bit of conversation over on Twitter even though the images themselves were only to be seen in the accompanying video. To rectify that here are a few “views”extracted from the rather long negative.
As experiments go it was one of my more successful and whilst I cannot claim it as an original idea, I’m sure its been done many, many times in the past, it was new to me. Roman on Twitter kindly commented:
I like these photos a lot. Feels like a kaleidoscopic impression of a walk.Roman W S on Twitter
I’d seen them as a visual stream of consciousness but like Roman’s description too. It’s given me an idea for a variation on the occasional 9 in 45 series. Just need to find the right opportunity – perhaps Holga Week in October?
A few vertoramas and panoramas from the KMZ FT-2 and a roll of Polypan F. I like to put these together in diptych or triptych combinations partly for convenience and ease of display but also because somethings the resultant images are greater than the sum of its parts.
There’s been quite a few posts from me over the last week* linked to a short break in Salford with a Nikon L35 AF, an extremely well thought of and capable point and shoot from the early 1980s. Well, I do have another very similar camera in my collection, one that I’ve only recently acquired.
Step forward the Yashica T2, hailing from the latter half of the 1980s this is another well regarded fully automatic 35mm camera. Like the L35 this is a camera you can take out and simply enjoy using. I’ve only used it twice so don’t feel qualified yet to write too much on the subject but I will do a quick comparison between the two cameras fairly soon.
For now, enjoy some pictures from a quick wander around town.
So, a handful of images from a first outing with the Yashica T2. It certainly won’t be the last though!
* I’m not ruling out another either!
I checked this morning and this is the eighth blog post I’ve managed to squeeze out of a two-day trip to Salford Quays. Not a photographic trip either, some time away with my wife away from domestic and child-minding duties.
One thing I rarely do is make images in indoor situations such as shopping malls. Partly it’s too much hassle and likely to upset security and partly that I rarely see anything that takes my eye. Part of the hassle is getting exposure right and using a light meter in these places isn’t always the easiest thing to do. However, with a fully automatic point-and-shoot in my hand most of these obstacles disappeared. With no need to measure the light and no manual camera controls to fuss over I could do what it says on the tin … point-and-shoot.
So I did.
Oh, and one last thing that I love about the Nikon L35 AF. The auto rewind leaves half an inch of film poking out once it’s finished. A big deal if you home process your films rather than send them away for developing.
I’ve lost count of the number of blog posts that have been spawned by two days and six rolls of film with the Nikon L35 AF camera. But, I’m back with another. This one is mainly pictures though and very little of my wittering you will be pleased to know. Well, that’s the plan anyway.*
As is my normal practice, I’ve “scanned” the negatives with a Fujifilm X-T3 and a Nikon macro lens. One day I will get around to writing about my process for digitising negatives but today isn’t that day. Most of my recent posts have used images that have been processed using the Snapseed app on my iPad or iPhone (other technology providers are available) mainly because I’m too lazy to turn the computer on most of the time.
The two images above were each processed with a simple Curves adjustment – one (A) in Snapseed (which I’m very familiar with) and the other (B) using the Photoshop iPad app (which I downloaded today). One is cleaner straight “out of the box” especially in the sky. There is also a difference in the overall look of the image. Unsurprisingly perhaps, B for me is the nicer looking of the two. After all Snapseed is free whereas Photoshop is part of a paid-for plan. But, Snapseed is easier to use. I know that with practice Photoshop for iPad will become easier to use … but do I have the patience?
But why haven’t I considered this before? Well, this is the first time I’ve ever blogged for an extended time with 35mm negatives as my subjects. There’s also a lot of sky in many of them. The physical size of a 5×4 or even a medium format negative is generally bigger than the digital images I publish. The same cannot be said of standard 35mm negatives. The quality of the conversion is affected by many factors but as a rule of thumb I’d suggest that the bigger the negative the better the end result, all other things being equal.
But, given the perceived (to me) increased quality of the Tablet PS-converted images, the real question is am I going to continue with the easy route or am I going to commit to learning how to use PS on the tablet? As ever, it depends.
As I’ve said, I’m fundamentally opposed to work but, yes, I’m going to make the effort to learn to use the PS app. However, I won’t be giving up Snapseed just yet as there are many occasions when it does just fine. After all it’s powered many a blog post over the last few years.
* It didn’t go to plan did it? In my defence there are seven/eight new images in it.
POSTSCRIPT: The issue doesn’t really arise when writing blog posts on my computer as I convert and process the images in Photoshop or Lightroom.
The wife and I recently took a 35-mile trip up the motorway to spend a couple of days at Salford Quays. The agenda was a wander, some retail therapy (not for me sadly – no camera shops), a coffee and later an evening meal and a few beers. A plethora of camera paraphernalia was definitely not on the agenda. So I packed very light, just a small(ish) point and shoot camera and a few rolls of film.
I’ve owned the camera for a while now but until this week have only ever used it for short walks and only ever used a single roll at a time. This was to be the first trip with just the camera, a red filter and half a dozen rolls of film in my bag.
Spoiler alert: I had a blast!
Did I mention filters? Yes, the L35 has a proper 46mm filter ring – a real boon for a black and white photographer who enjoys using contrast filters. The observant however will wonder why a red filter and not my habitual yellow or yellow/green filter. I couldn’t find it amongst the disorganisation that is my gear cupboard is the truthful and slightly embarrassing answer.
It turned out a good choice though as I found a roll of Washi Z in the bottom of the bag and I’d intended using it with a red filter so that was a bonus. Together with this rogue roll I took five rolls of Tri-X and a single roll of Kentmere 400.
Let us just dwell on that lone roll of Washi Z. It’s the lone sour note in an otherwise fabulous two days. I decided to load it on Friday morning as the route we were taking had plenty of greenery amongst the urban. It was the only part of the Quays that we were not traversing more than once too so these images would be unique. I spent a happy hour using all 24 frames, started up the automatic rewind and popped the camera into my bag. It takes 20-30 seconds to rewind and I used that time to get another roll out of my pocket and consult my phone. When I took the camera out of my pocket it had stopped whirring and so I popped the back to remove the roll.
You guessed yet? Yup, it hadn’t rewound. Roll ruined. Back at home I was to find, by measuring, that only one frame had been rewound. However, stood outside the BBC Studios, my immediate concern was do I load another roll? I did, it wound on correctly, and I proceeded to the wharf side to capture some gorgeous clouds. Click. Whirr. Click. Whirr. A vertical and a horizontal composition. So far, so good. But, on the next attempt the shutter wouldn’t release. There was the hint of movement in the focus indicator needle but other than that the camera was locked solid. On a hunch I popped fresh batteries in.
Click, whirr and the third frame was exposed.
So, the thing this episode taught me is that the batteries will become exhausted without warning. I always carry spares so wasn’t in a spot but that didn’t make me feel better. My take out from this is that in future I will keep the camera in my hand whilst it rewinds as there’s no warning when it runs out of juice.
Now, whilst this isn’t a camera review it would be remiss of me not to talk about how the camera handled and frankly how much fun it was. It’s a bit of a boxy, brick-shaped camera and not quite pocketable. I could slip it in my fleece pocket, just, but there was no chance it was going to fit in the pocket of my shorts like my usual “travel-light” camera, the digital Fujifilm X100T. It does have a neck-strap so I was able to walk hands-free when required.
Camera-handling is difficult to nail down in a sentence or two, not least because it is such a subjective and personal experience. I have bigger than average hands and this camera sits very nicely whether carrying or using the camera. There are very few controls on this mostly automatic camera but ergonomically they all fall easily to an appropriate digit enabling the camera to be used without removing it from the eye. Despite only using the camera occasionally I didn’t miss any images through fiddling with controls. The +2 exposure switch is easily found on the side of the lens and holding the flash down to prevent it firing is easy to achieve with just a slight shift in the way I hold the camera.
This is basically a fully automatic point-and-shoot 35mm camera albeit with a superb little f2.8 lens. Creating images with minimal depth of field is at the mercy of the prevailing light as the camera makes all the decisions regarding aperture, shutter speed, even focus point. However, it is possible to force the camera to focus where you want it to by placing the focus point over the desired object, half-pressing the shutter release to achieve focus, keeping the release half-pressed you can then recompose and complete the exposure.
Similarly, there is a back-lit switch which, when held down during the exposure, will add two additional stops to the chosen aperture/shutter speed combination. I used this a fair amount.
In conclusion, the camera delivers some lovely crisp images and is very easy to use. The control freaks won’t like the very limited amount of control they can exert but it is possible to be creative with some thought. However, if you are a fully manual kind of photographer this camera is best avoided. If, like me you enjoy photography and at times need to make life easier in order to preserve domestic harmony then this camera needs to be on your shortlist.
The proof of any camera’s worth though is the pictures made with it. Despite rather “meh” light over the two days it performed well. Five rolls, 180 frames, and it didn’t miss focus once. Exposure is perhaps a tad over but well within the latitude of the film I was using and could even be down to my scanning technique. It even handled the red filter well. Some people have mentioned a slight vignette but I didn’t find that a problem. There is a very faint drop off around the edges but it isn’t that noticeable and in fact I add a stronger vignette to many of my images.
Finally, and incredibly, this is the fifth blog post that I’ve squeezed out of our mini-break. However, all of the images here are from a single roll of Kodak Tri-X that I exposed on Friday morning. With another four rolls of film to work through don’t rule out another blog post or two!
Have you ever tried working with a KMZ FT-2, in its (n)ever-ready case, in the rain with an umbrella in one hand and the camera in the other?
I have … and even attempted some “street” at the same time.
The thing though, is that this camera has such a wide field of view that even with people just a few feet away they are still very small in the frame! This couple were no more than six feet away when I pressed the shutter release.
As ever, the FT-2 excelled with the architecture and not for the first time I was a little frustrated that I only get 12 images when I take the camera out. I’m not yet ready to take out a changing bag and the rest of the kit that would enable me to change film on the go however! You really need to think with this limitation. Perhaps next time I will take the kit and change rolls in the hotel overnight and that way get a roll, or twelve frames, a day. One to ponder.
I did try the typical “street” approach of finding a spot and waiting for someone to walk into frame but could only devote two frames to the experiment. Again, even with people reasonably close they are still tiny in the frame. However, I did manage to combine my two “allocated” vertorama frames with people in the frame so made the best of it.
As a follow-up to last nights post here’s a few random colour images from yesterday and this morning. The phone will capture in black and white, although I rarely do so preferring to convert the images myself in Snapseed. Still on the phone but I at least take control. The first image above is a case in point. Despite constantly turning it off the wretched phone keeps turning Live Picture on. This not only captures a gaudy HDR-style image on many an occasion but also captures a few seconds of video either side of the actual image. I converted this one to B&W for a Twitter update but when I decided to post some colour images I was torn. I liked the composition but not the colours. I therefore desaturated it and added a negative vignette to tame the image. It’s still a bit over the top for me but it kinda works I think.
I have a love-hate relationship with colour. I stopped using colour negative film a while back as I had massive problems getting natural colours when processing the negatives on the computer. My daily urban style of working probably isn’t best suited to colour slide film although I enjoy playing with Instax instant colour print film. However, some scenes scream out to be photographed in colour, Autumn in particular, and for this I have my digital cameras.
So, as I was using a Nikon L35 yesterday loaded with Kodak Tri-X I also made a few images with my phone. My phone was also in my pocket early this morning when I went out to photograph before breakfast. The glorious morning light will look very nice on my Tri-X negatives but it also looked very pleasant on my phone too.
When I made yesterday’s post I added a tongue-in-cheek plea for people not to judge me for using a phone when I had a fully-loaded camera with me. For clarification I’m of the firm opinion that we should make use of whatever tools we have at our disposal. Whether that’s an Intrepid 5×4, a KMZ FT-2, a mirrorless digital camera or a phone. Each of these is capable of producing images worth enjoying and I wouldn’t hesitate in using any of them. I forgot that a dry sense of humour isn’t always appreciated in the written form 😊
Another use for the phone is in checking compositions especially when the light isn’t quite as I would like it and I’m planning on returning another day. I did this Thursday evening as we walked back to the hotel from our pub meal. I’d deliberately left the camera in our room but the phone enabled me to check a few compositions before returning before breakfast on Friday morning.
The other thing I regularly use my phone for, especially if I don’t have my Fuji digital camera with me, is behind the scenes style images for my blog. Friday morning was no exception and the final image here, already converted to black and white and inserted into the blog post awaiting me developing the films from this short trip, is a case in point.
So, there you have it. Two iPhone posts in as many days and one in colour too. Normal service will be resumed in the next day or so.