No, not an Alanis Morissette reference but rather a comment upon the irony of choosing to shoot film as an aesthetic choice and as an alternative to digital only to need to digitise the images to share them to a wider audience. Even creating a book of photographs to be printed requires digitising these days.
So, to compound the irony, here’s a small selection of recent Sprocket Rocket images that ram home the irony by including the sprocket holes of the 35mm film within the frame! All are scans of the negatives; I use an Epson V550 with Silverfast and NLP software..
It’s not often I shoot 35mm film these days despite a drawer full of film and twenty-plus 35mm cameras to chose from. However, on a whim, I picked up the Nikon FM2n over the weekend and noticed it had a part exposed roll of film in. It was also fitted with a 24-70 zoom lens I had been sent aa while back but not yet tested so I decided to finish the roll.
Nothing formal however, the live-in grandsons were playing in the back yard, in and out of their paddling pool, so I took a few snaps of them first. When they saw what I was doing they both wanted a go too, so that used a few more frames. Harry then decided to pose; composing a fast-moving, naked subject so as to preserve everyone’s modesty was a challenge. That the lens was manual focus with a sloppy focus ring just added to the fun!
Reaching the end of the roll I decided that, as everyone was outside and the kitchen therefore empty , this would be a good time to develop the film and see what I had. The first surprise was that I had loaded Rollei Retro 100 in the camera. Why that had been so I couldn’t decide and having now seen what the first few frames were I still don’t know why I had a 100 speed film in the camera. I’ve been using Perceptol a lot recently, mainly because I’ve been shooting mainly Ilford PanF+ and FP4+ in my Bronica ETRS but reached for the Rodinal, mainly because I wouldn’t have to make up a new batch of Perceptol rather than any aesthetic choice on this occasion.
After consulting my notes I settled on 13 minutes at 20 degrees C in Rodinal diluted 1+50. The result was, as expected, good negatives with a reasonable amount of contrast. I left them hanging to dry in the bathroom and later in the day cut and sleeved them ready for a proper look on the light pad the following day.
As soon as I placed the first strip on the light pad I knew that all was not well. I had a good range of tones and the negatives were not overly contrasty so I was confident that they would print well in the darkroom. They also scanned well it turned out. Even from inspecting the negatives however, I could see immediately that the lens was, to say the least, a little “soft”. Excluding the frames ruined by camera shake (due to the low shutter speeds the 100 film required) and the erratic mobility of my subjects, very few of the images were the crisp, sharply focused negatives I had expected. That was disappointing especially as there appeared to be some nice images at the first glance of the still-wet negatives the afternoon before. But not the fault of the film.
So, frustrations with the now-discarded lens aside, what did I make of the out of date Rollei Retro 100 (also known as Agfa APX 100)?
Despite the film being out of date, I made no compensation in respect of exposure, mainly because I didn’t know what film was in the camera and the ISO dial was set to what I realised afterwards was box speed. I liked the “look” of the images from the film, although defining “look” is a futile exercise as it will vary from person to person. The grain is very apparent in these negatives but I don’t mind that at all; as someone who used to regularly shoot Kodak Tri-X at 6400 ISO in the 1970s I’m used to a bit of grain! Purely digital shooters with no history of working with film will probably be horrified at all the “noise” however.
It‘s a thumbs up therefore from me. I shoot mainly 120 film and my emulsions of choice are Ilford PanF+ and HP5 but I would not be averse to putting a roll or two through the Bronicas if the subject was right.
It’s been a couple of weeks since my last post so I thought I ought to do something to reassure my reader that I’m still here! With a compromised immune system I’m being a little careful about social interaction but have been very busy indoors including a full day in my makeshift darkroom recently.
Looking at my notes I see I’ve shot over thirty rolls of film this year already, a mix of 35mm and 120 medium format. Twenty six of those I developed before cracking my tank last week so I have five awaiting the delivery of a replacement tank. I’ve opted for a larger tank this time so I can develop two 120 rolls, or three 35mm, at the same time.
A few of those rolls have been created by a newly acquired Bronica ETRS and a trio of lenses (40mm, 75mm and 250mm). I’ve shot medium format many times over the years. I’ve previously shot with a Pentax 645 (the only camera I’ve ever regretted selling), I also have a Hasselblad 500CM, Mamiya C3 TLR and a Mamiya RB67 in my bag all of which I’ve used recently. So I’m no stranger to medium format. But, the Bronica has stolen my heart at the moment. At 6×4.5 it’s the smallest of my medium format cameras but it’s SLR-like handling is a joy. I also have the option to swap in a waist level viewfinder for that traditional MF experience too.
There will be more to come over the months I’m sure but for now stay safe and take care!
I made a conscious decision today to shoot my 366 image with my iPhone during the school run (which would include a detour to get the wife’s newspaper). I took half a dozen images, two of which I liked a lot but this was the final choice for the 366 once I’d “lived” with both images for the day.
The ultimate street photography camera is a bit of a holy grail amongst enthusiasts. Each system has its own proponents, mine is a Fuji X100t, but despite what they may think no one system is the ultimate in my eyes. Each has its strengths and weaknesses and used correctly each can produce very satisfying results.
I use the Fuji X100t as my main “street camera” (in reality its my always-in-my-pocket-camera) and also when I want to shoot film a pocketable Ricoh 35ZF. Whilst I’d used my smartphone whilst out to take snaps I’d never seriously considered using it for “proper” photography. Until last week.
The results of this experiment were very pleasing and a selection of iPhone images have been used in this post. More will follow in a subsequent post. The beauty of using the phone is that, should I so desire, I can immediately open the image in Snapseed (other post processing software is available) and create the finished image right there and then. I can do this with my Fuji X100t too by wirelessly transferring it to my phone but compared to the direct iPhone capture this is a little cumbersome.
It’s been a while but the X100t and I took to the streets over the past couple of days after quite a long gap. With an open mind and a fully charged battery we pottered from Liverpool Lime Street down to the Albert Docks with many a detour along the way.
I’m back home now and have just had a little chimp at the back of the Fuji. I’d posted a handful of images Thursday evening to Flickr so knew I had some “keepers” but the acid test will come when I download the files to the computer and have a proper look.
Some of my iPad edits look promising and there are a couple which will warrant a blog post of their own. It wasn’t just the Fuji that I used however so expect a “Street – shot on iPhone” post too. I also explored the RC Cathedral and it’s crypt with a 360 camera before I left so that is to follow in due course I hope.
Most mornings I wander down to the local newsagent for the wife’s paper and sometimes venture as far as the local supermarket. Reading my recent posts it would be easy to think that I only go out with a film camera these days but that wouldn’t be accurate. My Fuji X100t still accompanies me everywhere.
This morning I took the Diana F+ in order to shoot the last six frames of Lomography 400 colour negative film that had been in the camera for months. It’s a camera I will be selling as soon as I’ve confirmed it’s working properly by developing the roll of film. With those six frames completed I pulled the Fuji out of my pocket and shot the equivalent of a roll of 35mm film with that.
The X100t is an old friend and a camera I’m completely at home with. When the X100f came out I didn’t even look at the specifications of this successor such was my total faith with the “t”. The X100v was released recently, with tilting screen and a new processor, but other than briefly looking at the press release I’ve not even considered it – within the X100 series I’ve found the iteration of this camera that suits me nicely. I did buy the original X100 but it’s idiosyncrasies were too much for me and I sold that camera before returning with the third iteration in the guise of the X100t.
So, three images here all captured whilst I walked to the supermarket this morning using the Fuji X100t digital camera that I carry with me everywhere even when primarily shooting one of my film cameras.