I wanted to see if the Bronica ETRS could be used as a P&S relying on the prism to set the shutter speed. This would make it easier when shooting family snaps such as these. Whilst I prefer the 6×6 format for most of my “serious” photography I am finding the 6×4.5 format of the ETRS works ideally for this type of “informal” photography.
Bronica ETRS with 250mm – a family snapper point and shoot?
Above: Frames 9 – 12 from a roll of HP5+ shot using a Bronica ETRS with a 250mm lens and relying on the AEII metered prism for correct exposure. I set the speed to 400 and aperture to f5.6 and left the prism to set the shutter speed.The film was processed in Rodinal (1+50).
Looking at the strip of negatives hanging up to dry I thought that and overall it had worked and this was confirmed when I scanned them on my Epson Perfection V550. To include the rebate I needed to lay the negative directly onto the scanner glass but I seem to have got away with no obvious moire patterns so it was probably my lucky day.
It was mid-morning on Wednesday 18th March that I received the not-unexpected call from my consultant – please stay home for your own safety. It was an instruction dressed up as a suggestion/recommendation. She conceded that I could use my back yard for fresh air but insisted that this should be my boundary until further notice. Like so many others with medical conditions that make them particularly vulnerable to Covid-19 I was in Lockdown before the phrase had been uttered by HM government. When Lockdown officially started and with it the concession of an hours exercise a day I got in touch with my consultant; again, I was not in the least surprised to be given a firm “No”, so I was resigned to stay at home until 14th June at least– ironically Amanda’s birthday and the day after our 39th wedding anniversary.
From the start I was determined to keep my 366 Project going. This might be Lockdown but I was determined it would not be a shutdown photographically. As of today, 9th May 2020, I am 923 days into my long-term picture-a-day challenge, and I was not going to let this “inconvenience” stop me from going past the 1,000-day mark; my eyes are still firmly fixed on the end of July! I had recently been producing a lot of urban black and white images, many from around the small town where I live, and these had become a trademark of sorts, but I would need to reconsider this strategy. Looking back there was definitely a strong bias away from colour. We only have a small back yard and a tiny front yard (three metres from the front door to the public footpath – I measured it) so it was going to be challenging.
So how am I doing? Well, fifty-plus days into isolation (shielding, or whatever today’s name is) and I’ve not only kept the challenge going without having to resort to pictures of my dinner, I have also posted an additional 120+ Random Images from Isolationand it is these that I have drawn on for this post.
I have continued to use a range of cameras for the 366, including my film cameras, and the iPhone has only featured a couple of times in my daily posts so that aspect of the challenge is unchanged from pre-Lockdown. My cameras live under the coffee table next to my armchair at the moment however which I never got away with prior to isolation. The only major change from my workflow is that most images have been post-processed using the Snapseed App on my iPad rather than Photoshop as I’ve used my Mac only occasionally during this period for some reason I’ve yet to fathom.
I enjoy the occasional foray with a pinhole camera, even building one myself not so long ago and so was annoyed with myself for missing World Pinhole Photography Day (WPPD) in 2019. I was determined not to miss it this year however and had even scouted out a couple of suitable locations on the River Calder ready for the big day. I was it seemed all-set and ready to go.
I missed WPD-2019 and had big plans for 2020
WPPD is held on the last Sunday in April – the 26th this year – and of course, I’m being shielded at home and not allowed out of my yard! Best laid plans and all that.
I was determined not to miss the fun though and so the night before I loaded a fresh roll of Acros II into my wooden Zero Image 612 pinhole camera and dug out a mini tripod. At 7.30am on WPPD morning I was out in my backyard with pinhole camera, mini tripod and light meter to capture my first WPPD submission.
When set to 12×6 my pinhole camera takes five frames (you can shoot six but the sixth is truncated) and as exposure can be hit and miss it is important to think before opening the shutter. I took three compositions, two of which I ended up scanning. The first two compositions were bracketed, two frames at different exposure times, and I used an App on my phone as a light meter having first checked with my handheld meter that it was reading sufficiently accurately. The benefit of the App is that it will display the exposure for an f-stop of 150 which my light meter does not.
After breakfast I processed the roll of film in Perceptol (1+1) and was chuffed to find some decent exposures; indeed, every frame could be darkroom printed if desired and the negatives scanned very nicely on my Epson scanner. My chosen image (above) was uploaded the following morning although I did upload it to my Flickr photo stream on the Sunday afternoon along with one of the other compositions. The third composition I chose not to use as it had not worked as well as I’d hoped but two out of three is not bad!
The image is awaiting moderation by the WPPD team but will eventually be viewable HERE I believe.
With all the differences between different colour negative film stocks, scanning can be a bit hit and miss. Here I briefly demonstrate the method I use, it is not perfect but produces acceptable results most of the time. I’m sure with a far more rigorous approach it could be done better but who wants to spend hours scanning and processing negatives – I’d much rather be in the darkroom!
It’s been a couple of weeks since my last post so I thought I ought to do something to reassure my reader that I’m still here! With a compromised immune system I’m being a little careful about social interaction but have been very busy indoors including a full day in my makeshift darkroom recently.
Looking at my notes I see I’ve shot over thirty rolls of film this year already, a mix of 35mm and 120 medium format. Twenty six of those I developed before cracking my tank last week so I have five awaiting the delivery of a replacement tank. I’ve opted for a larger tank this time so I can develop two 120 rolls, or three 35mm, at the same time.
A few of those rolls have been created by a newly acquired Bronica ETRS and a trio of lenses (40mm, 75mm and 250mm). I’ve shot medium format many times over the years. I’ve previously shot with a Pentax 645 (the only camera I’ve ever regretted selling), I also have a Hasselblad 500CM, Mamiya C3 TLR and a Mamiya RB67 in my bag all of which I’ve used recently. So I’m no stranger to medium format. But, the Bronica has stolen my heart at the moment. At 6×4.5 it’s the smallest of my medium format cameras but it’s SLR-like handling is a joy. I also have the option to swap in a waist level viewfinder for that traditional MF experience too.
There will be more to come over the months I’m sure but for now stay safe and take care!
I made a conscious decision today to shoot my 366 image with my iPhone during the school run (which would include a detour to get the wife’s newspaper). I took half a dozen images, two of which I liked a lot but this was the final choice for the 366 once I’d “lived” with both images for the day.
The ultimate street photography camera is a bit of a holy grail amongst enthusiasts. Each system has its own proponents, mine is a Fuji X100t, but despite what they may think no one system is the ultimate in my eyes. Each has its strengths and weaknesses and used correctly each can produce very satisfying results.
I use the Fuji X100t as my main “street camera” (in reality its my always-in-my-pocket-camera) and also when I want to shoot film a pocketable Ricoh 35ZF. Whilst I’d used my smartphone whilst out to take snaps I’d never seriously considered using it for “proper” photography. Until last week.
The results of this experiment were very pleasing and a selection of iPhone images have been used in this post. More will follow in a subsequent post. The beauty of using the phone is that, should I so desire, I can immediately open the image in Snapseed (other post processing software is available) and create the finished image right there and then. I can do this with my Fuji X100t too by wirelessly transferring it to my phone but compared to the direct iPhone capture this is a little cumbersome.