This was my third World Pinhole Photography Day (WPPD) and as in previous years I had definite plans for the day. In 2020 a global pandemic confined me to the backyard; I compensated for the disappointment by using one of my last rolls of original Acros. In 2021 I planned to use two pinhole cameras at a coastal location but travel restrictions confined me to the local area. On both occasions I still produced results I was happy to submit which eased the blow a little.
2022 was to be different. My plans revolved around a favourite location locally and so I felt very confident. The weather was forecast to be favourable and I had cameras readied, film holders loaded and everything was set for a pinhole Trichrome-fest on the Sunday. I was planning on using 35mm, 120 and 5×4; my most ambitious Trichrome project yet. However, I failed to anticipate the demands of family life and totally didn’t see the curved ball which relegated me to chauffeur and my WPPD plans to the bin.
BUT. Where there’s a WPPD there’s a way and I found myself with a short window whilst in Brighouse to disappear for a short period. Allowing for walking to/from the location I had around 30 minutes to play with the ONDU 6×6 that I’d managed to slip into the car. I had loaded it with a roll of TMax 100 and a mini tripod completed the set up. I decided to head for a weir on the river that I’d seen images of but never photographed myself. I spent fifteen minutes trying to find the way down to it but failed miserably. To fail to prepare etc although in my defence this wasn’t what I’d planned for! I decided to cut my losses and walk back to the adjacent canal.
I chose a part of the canal that I was familiar with to start my brief “shoot” and from there walked down a very short way to a lock that I’d not photographed before. Fifteen minutes probably stretched to twenty five but I still got back to the car on time and with a roll of exposed TMax in my pocket I was pleased that I’d managed something for WPPD 2022.
The following morning I loaded the roll into a tank, made up 600ml of Rodinal (at 1+50) and set to one of my favourite parts of working with film. I find developing film therapeutic and a good way to switch off. It wasn’t long before a roll of properly exposed negatives were hanging to dry and I eagerly anticipated looking at them properly on the light box later.
The first two frames (bracketed as it was a low-contrast, dimly lit scene) failed to Wow! me but it was good to see them in the right ballpark for exposure; it boded well for the rest of the roll. Frames three and four were both views of the marina with the only difference being the addition of a yellow/green filter for the fourth. I left the filter on for the rest of the roll as I felt, rightly it transpired, that the sky would benefit from its presence.
I “scanned” the roll using a Fuji mirrorless camera and, unusually for me, processed them on my computer using Photoshop. My usual approach is to upload the “scans” to my iPad and use Snapseed but this is WPPD so deserved a more consistent approach. I made very similar adjustments to each image, made easier by a consistently exposed negative, and finished each with a gentle selenium tone in Silver Efex Pro.
From the roll of twelve I shortlisted seven from which to select my WPPD 2022 submission. All of them are presented in this post and as only one of them can be submitted I will make my choice after I’ve cogitated for a few days at least.
So, in conclusion, WPPD 2022 followed the tradition of not going entirely to plan but it was still a success in my eyes. It may not have been what I intended but I’ve managed some very pleasing images and I am definitely not disappointed as I was in 2020.
Here’s to WPPD2023!