Trying Trichrome

Oh I do like an alliterative title!

If there is something that many film photographers have in common it’s their willingness to try things “because they can” even if there are far simpler ways of achieving results. My glass plate project is probably a good example of doing things the hard way (currently on hold until the Spring incidentally). Indeed, it could be argued that film photography as a whole fits this theme given how easy digital photography can be. But, I digress (not for the first time).

So, when someone (I’m looking at you @apkeedle) starts posting colour images created from black and white film negatives my interest is piqued. Colour from FP4! When I saw that it involves using the computer however I mentally consigned it to the “follow with interest but don’t get involved” list. Which is where it has firmly stayed for many months as I’ve enjoyed the images I’ve been seeing, particularly from Andrew, and have been content to consume rather than produce.

Until.

Until Andrew (yes, still looking at you Mr K) suggested a Trichrome Party on Twitter and in a moment of weakness I found myself saying “of course I’ll have a go”. I dug out filters, ordered stepping rings and even adapted my Titan 5×4 pinhole camera to accept filters. I then had the bright idea of infrared trichomes too. Ooh, Trichrome pinhole infrared….

The thinking about it has been fun. But now comes the moment when I need to properly understand what is actually involved prior to having a go myself.

So, this post is simply a marker in the sand, a note of intent if you will. The plan is to spend this evening binge watching/reading everything I can find on the subject and then tomorrow I will load a roll of 120 into the Bronica SQ-A and head into the backyard for the test run.

In the meantime here is the image that “started” it all for me from the aforementioned Andrew Keedle who retains copyright and all the glory emanating from this fabulous 7×17 ULF masterpiece …

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