Bring out the trays!

When I brought the darkroom back into use recently I had a problem with the slot processor leaking at one of the seams. It’s an old unit, but it has been very well used and I’ve repaired it before so this was not unexpected although still frustrating. It’s the developer slot that’s weeping but fortunately near the top so I’m fine so long as I don’t want to print along the top two inches of the paper! As I’ve mainly been printing panoramas from my Horizon S3 on 10×8 this has been a mere niggle rather than a hindrance.

Two versions of one negative

But, then I decided to print a few 6×4.5 negatives from the Bronica ETRS. These basically use all of the paper’s surface so the “missing” couple of inches become more problematic. So, Plan B it is then.

Back to the trays!

My darkroom space is small. Three bookcases line one wall, with a small filing cabinet in the corner upon which the slot processor sits. The opposite wall has my desk (this room is my office after all) and on the short wall by the door sit my enlargers.

View from the slot processor – before the 5×4 enlarger made it upstairs

Adding space for trays therefore is a challenge but needs to be done until I can repair the slot processor. A 4’ x 2’ folding picnic table provides a solution. True it’s a tight squeeze with little available floor space once it’s in place but the legs can be folded up into the table which can then be stood in front of the enlarger table when not in use.

All lined up – ready to go

If I’m honest, whilst I really appreciate the space-saving and convenience of my slot processor the one thing I really miss is watching the image “magically” appear before my eyes. The trays provide this “magic”. I’ve just come down from a very pleasant couple of hours using the new layout and I can report that it works very well. It just shows that you don’t need a huge space with running water to print your negatives – just the will to problem solve.

A print in the hand …

Calder & Hebble Navigation

I reported recently on the results I had achieved with a box of rather old, discontinued paper and promised to share a couple of scans. With no childcare today I thought I’d pop a couple on the scanner for you. These are scans of darkroom prints, viewing these on screen is like trying to evaluate the taste of a gourmet meal via the telephone. But, ironically, it’s the only way that many will get to experience these. They have a wonderfully rough texture, are a good weight in the hand and there is something so enchanting about such tactile objects.

Elland Wharf

One thing I’ve noticed is that the texture of the paper does not scan very well, being scanned into two dimensions has appeared to have compressed the texture making it slightly indistinct. But then , no-one would expect the scans to match the three-dimensional reality of such papers.

Woodland on the outskirts of Elland
  • Camera: Horizon S3
  • Films: Kodak Tri-X and Ilford HP5+
  • Paper: Kentmere Art Classic