Back in October 2020 I bought a new-to-me camera, the Horizon Kompakt. A Russian-made, swing lens camera for shooting 120 degree panoramas on 35mm film. In January 2021 I added the Horizon S3 Pro to the bag having also played with an Horizon 202 in December 2020. This post is a summary of the key things I have learnt whilst working with this incredible but very idiosyncratic tools. They are in answer to questions I’ve been asked over the last few months and are in the order they tumbled out of my head!
1. So long as you load the camera properly and wind on smoothly there should be no problems with torn film. Unlike my Kompakt and 202 the S3 is relatively very smooth.
2. To the right of the film gate in the S3 there is a silver bar with sprockets – the film goes under this BUT make sure you also thread the film UNDER the black bar to the immediate left of the silver bar. This is important to ensure film lies flat and reduces tearing risk considerably. With all of the models the basic advice is that if it can go under then it should!
3. Some film stock is inherently thinner and prone to snapping, I’ve used mainly HP5+, Tri-X with the S3 although have used self-rolled Kodak XX successfully. The key as I’ve said is to be gentle.
4. I use an app on my phone to gauge exposure and it’s rarely too far out. It’s a wide field of view though so I use my experience to tweak if appropriate, especially high contrast scenes such as the one above. I rarely bracket but that’s an option too I guess. If shooting something like HP5+ there’s plenty of inherent latitude within the emulsion itself.
5. Expect 21 frames on a 36 exp film. Around 14 on a 24 exp film. Don’t be tempted to try and squeeze an extra frame – therein lies film snapping potential 😀
6. Some users report banding at one end of the frame. Not regularly however and when it does appear it is mainly when the sun is around in my experience – so not that often up here! There’s some debate as to whether it’s light leaking in through the shutter hood as it travels. Myself and many other Horizon users I know tend to keep the camera in our shoulder bags until we are ready to shoot. Anecdotally this does appear to work. In my experience, it’s not as big a problem as many make out though and in any event the negative is wide enough that you can crop it without an issue. Interestingly, the more basic Kompakt seems to suffer less from this phenomenon in my experience.
7. If your Horizon has the handle use it as it really helps keep stray fingers out of the shot. I also hold the right hand side of the camera from the back between finger tips to keep stray fingers out of harms way when pressing the shutter. It feels (and looks) a little odd to start with but is worth persevering with.
8. I used HP5+ exclusively to start with as it’s a film I’m very familiar with. Now I’m confident with how everything works I’ve used all sorts of film stock with success, even home-rolled Redscale. In short, I would say that once you know what you’re doing then anything goes film-wise!
9. Metering: I took my spot meter out just the once but decided that this just slowed me down and took some of the spontaneity out of using the S3. Now I take a basic reading when I leave the house using my phone, set that and then tweak as I need to based on my assessment of the scene. If the light changes dramatically I take a new reading.
10. One last thought, make sure the film is tight on the take up spool too as this helps ease pressure on the film as it moves through the film gate.
I’ve not talked about composition here, just the mechanics of using the camera and creating images. I may well pen some thoughts in that area too … but don’t hold your breath as this post is my first in almost six months! I must rectify that.
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