Back in January when I was stocking up with film for the Spring/Summer months I picked up a few single films of different stocks to my usual to try out as the opportunity arose. I think that in the back of my mind was that these would be used for something “special” or a specific project that took into account each film stocks particular properties or quirks. As an enthusiastic (digital) infrared photographer, I have an IR-converted Fuji X-T1, and so I picked up a couple of rolls of 120 Rollei Infrared 400 intending to use it whilst in Devon for a family wedding. Well, I’m consigned to barracks and in any event the wedding is postponed until 2021. So, the first roll, which I bought to test before using the second in “anger”, has now been exposed within the confines of my back yard.
Now before any one shouts I realise that Rollei INFRARED 400 is not a ‘true’ infrared film, but one with near-infrared sensitivity to about 820nm. I’m not going to quibble though and in any case this was about experimentation.
My weapon of choice for this experiment was a Bronica SQ-A, for no reason other than I like using it, plus the mirror lock-up would be useful. The film was rated at 400 ISO per the box and I shot a couple of frames without any filtration at this speed. I then attached a 720nm infrared filter and based on what I had been reading metered the scene at 12 ISO, an increase in exposure of five stops. Finally, I developed the film in Rodinal (1+25) at 20°C.
Contrary to some reports I’ve seen elsewhere on the web, the film went onto the reel very easily with no obvious curl to the acetate.
So, to the pictures. My first impression on hanging the roll of negatives to dry was how sharp and crisp they were. Some were clearly over-exposed but as I kept detailed notes that will enable me to learn from these. Popping the dry negatives on the light pad was an exciting moment as it was then I saw just how successful the experiment had been.
The first three frames (see above) had been taken with no filter, a polarising filter and lastly a 720nm infrared filter that I use with a full-spectrum Fuji X-T1. Just looking at the negatives I could see the dramatic differences between the first and third negative; even the negative has an ethereal feel. The third of these frames is shown, fully processed, below.
So, what did I make of this quirky film? Well, I have to admit that I was predisposed to the idea as I’ve shot a lot of infrared on my digital cameras as can be seen on my FLICKR account. What I wasn’t prepared for was how much I liked these simple front/back yard images. They add a whole new dimension to the portfolio of images I’m creating during the Lockdown. The day I chose was cloudy with sunny intervals and not the full-on sunny day with blue skies I had hoped for but I love the feel of these images nevertheless.
So, what special project will the other roll be saved for? It is simply being saved for the next sunny day here in my back yard. I want to see what effect blue skies will have and can’t wait until I finally get released from the house. Never fear though as I’ve ordered another five rolls to keep on hand for when I do get back out with the camera!