It’s been a while but the X100t and I took to the streets over the past couple of days after quite a long gap. With an open mind and a fully charged battery we pottered from Liverpool Lime Street down to the Albert Docks with many a detour along the way.
I’m back home now and have just had a little chimp at the back of the Fuji. I’d posted a handful of images Thursday evening to Flickr so knew I had some “keepers” but the acid test will come when I download the files to the computer and have a proper look.
Some of my iPad edits look promising and there are a couple which will warrant a blog post of their own. It wasn’t just the Fuji that I used however so expect a “Street – shot on iPhone” post too. I also explored the RC Cathedral and it’s crypt with a 360 camera before I left so that is to follow in due course I hope.
Most mornings I wander down to the local newsagent for the wife’s paper and sometimes venture as far as the local supermarket. Reading my recent posts it would be easy to think that I only go out with a film camera these days but that wouldn’t be accurate. My Fuji X100t still accompanies me everywhere.
This morning I took the Diana F+ in order to shoot the last six frames of Lomography 400 colour negative film that had been in the camera for months. It’s a camera I will be selling as soon as I’ve confirmed it’s working properly by developing the roll of film. With those six frames completed I pulled the Fuji out of my pocket and shot the equivalent of a roll of 35mm film with that.
The X100t is an old friend and a camera I’m completely at home with. When the X100f came out I didn’t even look at the specifications of this successor such was my total faith with the “t”. The X100v was released recently, with tilting screen and a new processor, but other than briefly looking at the press release I’ve not even considered it – within the X100 series I’ve found the iteration of this camera that suits me nicely. I did buy the original X100 but it’s idiosyncrasies were too much for me and I sold that camera before returning with the third iteration in the guise of the X100t.
So, three images here all captured whilst I walked to the supermarket this morning using the Fuji X100t digital camera that I carry with me everywhere even when primarily shooting one of my film cameras.
A week or so ago I was considering selling this little camera … but since then I’ve shot five 36 exposure rolls with the Ricoh and haven’t left home without it.
I’ve shot with it in the rain, on the bus and even in the sunshine (although not many sunny frames) and it hasn’t missed a beat. So, it will be staying – it’s sat on the table next to me already loaded with a roll of TMax – but I still need to decide on a camera or three to release back into the wild!
An interesting challenge came my way a week or so ago. A good friend of mine found a roll of JESSOPS colour negative film in his garage and brought it over for me to play with. How long it had been there he knew not, but a note inside the film canister suggested it had been in there for over twenty five years.
After giving the matter some thought and consulting with a couple of other film workers I decided to process the film in black and white chemicals. The logic being that even if the latent colour images had survived the years in the garage it was likely that the colours would have shifted somewhat; the consensus being that if there were images they would have a noticeable colour cast and I may we’ll end up converting these to black and white anyway.
The next decision was what developer. Colour negative film is generally developed for three or three and a quarter minutes in C41 chemistry but that information was of little use to me. I eventually opted for what is called stand development which involves immersing the film in highly diluted developer for an extended period leaving the tank to stand untouched for the duration. My developer of choice for stand development is Rodinal so the decision was made. Timings are less critical with Stand development as the very diluted developer is basically allowed to exhaust itself. It has a compensating effect in that the developer exhausts itself in areas which require greater development while remaining active in less-exposed areas, which has the effect of boosting shadow detail while preserving bright highlights.
Pre-wash in deionised water for 5 minutes
Develop in Rodinal, diluted 1+100, for 1 hour
Agitate initially for 30 seconds very slowly then two slow inversions at 30 minutes (which technically makes this semi-stand)
“Stop”, using deionised water for 1 minute
Fix using Ilford Rapid Fix for 8 minutes
So much for the theory. What about the reality? My plan, which I followed carefully, was based on my usual stand workflow with some tweaks to accommodate the unusual circumstances. I rarely use pre-wash but thought it might be helpful here to lubricate the film as it were. I usually use a Stop bath but plumped for water on the basis of keeping the chemicals used to the minimum. Finally, I fixed for 60% longer than usual.
To view the negatives are a bit on the dense side but there are definitely images!
Undeterred by the very dark negatives I turned on the scanner and set to work. It was not a fully exposed roll of 36 images and it had clearly been removed from the camera when only part-used. Most of the twenty-odd frames were out of focus shots of rally cars in a wooded area. A couple were taken indoors at a car show and one of these was pretty sharp so it was this one that I chose to scan fully.
So, there are images and my friend and I are delighted with how the negatives look. There remains one puzzle though. He does not recognise them and is adamant that he would never take a part exposed roll out of the camera!
I’m in the process of down-sizing my camera collection and am currently considering my small rangefinder style cameras. Today it was the turn of the Ricoh 35ZF.
Loading with a roll of Berlin Kino black and white film I hit the first key consideration: could I push the film beyond its box speed of 400? It was dull and overcast so rating the film at 800 would have been useful. The ISO selector goes from 64-800 so that was a tick in the box. In the event I chose to rate the film at box speed but it was nice to have the option.
The Ricoh 35 ZF is a zone focus, shutter priority (or fully manual) 35mm film camera from the mid-1970s. It has a fixed 40mm f/2.8 lens, shutter speeds from 1/500 to 1/8 (plus B), and an ISO range of 50-800. When shooting in an urban setting I have tended to set the shutter speed to 1/125th with the Ricoh, putting the aperture on ‘A’ and setting the focus pictogram depending on how close I expect to get to my subject.
The camera’s diminutive size means it fits in the palm of my hand so I carry it without a strap to make it even more discrete. It’s small size and unobtrusive shutter sound, a brief “click”, means I can shoot from the hip as I did for the opening shot here. Pre-setting the aperture and shutter speed and by using the zone focusing pictograms means I can also shoot quickly from the eye too as in the image above.
I won’t comment on the film beyond saying that it has its strengths and weaknesses both of which I tested today. For the very varied lighting situations I encountered today, indoors and outdoors, I would usually use HP5+ but that said there are some images on the roll that I’m very pleased with.
As for the camera, I think that it’s ideal for a walk-around, shoot-from-the-hip camera and I’ve had an enjoyable morning with it.
I’m 90% certain it’s staying in my collection too!