Street in Southport

We’ve been to Southport a couple of times this year, just for a couple of nights to get away from the noise and hustle of our family home which bursts with three generations of our family. As the Oldies we probably need the peace more than anyone! On the last visit we decided to go and sample the delights of Southport’s retail experience. At least the wife went shopping! I went for a wander around an indoor shopping arcade. I just so happened (!) to have the Fuji X100t in my coat pocket.

Southport 1

Elizabeth Gray on the photographylife website defines street photography thus: “… street photography is about candidly capturing life in public areas.” It is one of many definitions that I have seen. Often partly contradictory, these definitions all have a slightly different take on the topic but all include reference to public areas and the word candid, or variations, crops up very frequently. However, the biggest variant I’ve found has been the inclusion of people. For some street photography seems to feature exclusively candid images of people going about their daily business. Some , like Bruce Gilden, best known for his candid close-up photographs of people on the streets of New York City, using a flashgun, are definitely in-your-face street photographers. Others take a less intrusive approach.

Southport 2

Do Street Photos Need People?

So, whether or not street shots need people in them is something that remains the subject of much debate. For myself, I do not feel that street photographs must contain people. That said, there needs to be something in the image that hints at the involvement of people. People are often in my frame, often as small but necessary elements of the composition and sometimes just as shadows or reflections. I will sometimes photograph things left behind by people, less though with the intention of leaving the viewer wondering what the story is behind the discarded objects but more as a comment on the crassness of a small element of the human race.

Southport 3
Three people, two walking into frame and a third reflected in a shop window (I/3rd way up on the left) but to my mind people are not a mandatory part of all street photographs.
Southport 4
A hint of the future presence of people perhaps?

So, with that said, what do I like to photograph on the streets? Well, pretty much anything as it happens. It’s all a matter of what takes my eye at the time and how bullish I’m feeling. It also depends on where I am. I will photograph on the streets of a small town such as Halifax but am considerably more conspicuous as you rarely see folk wandering about with a camera. A city like Liverpool or London however is a different kettle of fish as can be seen in some of the images on this earlier post many of which were taken with the same camera that I was using in Southport.

Southport 5
Next enclosure along …

The X100T, and to a lesser extent the X100 which I used before the T, is great for street and candid photography and the image quality at ISO 6400, when exposed correctly, is superb in my experience. An aperture of f4 is ideal with the 23mm lens of the X100T when shooting in public although if the main subject is a person I often open the lens up to f2.8. When the prime subject is not human however an aperture of f5.6 or f8 if the light allows is preferable for my taste.

Southport 6
Fuji X100t. 1/140th ISO 200 f5.6
Southport 7
All good street photography finishes with a cuppa!

So, an interesting hour. The wife only spent a few pounds and I enjoyed a wander around an admittedly quite arcade. I need to be in the mood for full-on street photography and the genteel peace of this old arcade was the perfect setting that morning.

2 thoughts on “Street in Southport”

  1. An interesting article Dave about a subject that I find very interesting. I’m one of those who prefer people in the shot because I like to use them give the image a bit of scale. A couple of questions though, are your photos monochrome straight out of camera, if not what software do you use because I like the tones you produce.

    Liked by 1 person

    1. Hi Bill. On this occasion I did not use in-camera JPEGs (although I often do use them). RAW files processed in Adobe Camera Raw applying the Fuji monochrome-yellow preset and minor tweaks to clarity and contrast. Not a lot really, the key is light touch I think with indoor “street”. Outdoors I often go for a slightly harsher look using Silver Efex Pro. Hope this helps. Regards Dave

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