On a bitterly cold Saturday in October I turned up for my first ever RPS meet-up. Despite having rejoined the RPS in 2012 I have only previously attended talks and the like so this was to be my first time shooting as part of a group of RPS members.
There were around twelve of us in the group including Mick who was our guide and facilitator for the day. I had arrived soon after 7.30am for a 9am start. It was dark and very cold but I was very soon joined by another first-timer. I almost missed sunrise at 8.01am due to a call of nature but iPhone to the rescue and I had a snap for my blog at least!
We were in New Brighton on the Wirral and the main purpose of the day was long exposure photography so after a quick calling of the register there was soon a forest of tripods on the beach. It was a forest that was soon in rapid retreat however as the tide was coming in much faster than many of us expected. Stood a metre or so from the waters edge I was lucky to get a shot composed and exposed before waves were lapping around my feet. Good job we had been told to bring our wellies. I wasn’t alone in performing this tripod-wave dance either. Luckily Mick had all the tide details written down so he kept us all on the straight and narrow.
A blow-by-blow account of the day would soon become tedious so instead I will just comment briefly on my impressions of the day. I wasn’t keen on going initially, mainly because there was no stated limit to the group size and I was concerned about shooting in a large group in a relatively small area. Would we be forever getting in each other’s way I wondered? I needn’t have worried though as on the day common sense prevailed and the occasional photographer who strayed into shout was quickly moved by a friendly shout. No names, no pack drill of course!
I am usually a solo photographer, occasionally shooting with a good friend but normally on my own so this was a big reservation for me but despite this I chose to go partly out of curiosity and partly because my wife told me not to be so curmudgeonly and anti-social. I’m glad I did as I was told! Everyone was friendly and welcoming and I made a couple of new friends into the bargain. I didn’t catch many of the other people’s names but spoke albeit briefly to most of them during the day – I just wish I had a better memory for names.
The knowledge of Mick, our friendly and approachable guide, saved all of us lots of aimless wandering and exploring as he guided us to areas of particular interest. This is also knowledge that I can apply when I return for a solo shoot at a later date.
So, what did I get from the day? Well, certainly, a few half-decent images which I am looking forward to printing in due course. I also got to chat about photography for most of my waking hours that day without boring the wife to tears. It’s not something I’d want to do every day but chatting photography with some other enthusiasts was very enjoyable. Most importantly though I enjoyed the company of a group of like-minded people.
Even this anti-social curmudgeon had to admit it was a grand day out!
We decided to break our journey home from a week in North Wales with an overnight stop in Liverpool. Asking for a quiet room we weren’t surprised to be up on the seventh floor, but weren’t expecting the half decent view though! I think I used every lens I had with me and all three cameras shooting from, or should I say through, the window.
From fisheye to telephoto, from 360 to long exposures I made the most of the very limited opportunities this seventh floor window provided.
Seventh heaven – if only the window had been cleaner!
I will write a narrative blog post shortly but in the meantime here are eleven images from a day on the Wirral recently. I arrived at 7.30am, in the dark, and left at 6.30pm, also in the dark.
New Brighton Lighthouse or Perch Rock Lighthouse, is a decommissioned lighthouse situated at the confluence of the River Mersey and Liverpool Bay on an outcrop off New Brighton known locally as Perch Rock. Together with its neighbour, the Napoleonic era Fort Perch Rock, it is one of the Wirral’s best known landmarks.
All images Fuji X-T3 unless stated.
Simply a few images from an early evening stroll on the outskirts of Bangor
Fujifilm’s latest X-series camera was released a few weeks ago to much fanfare and insofar as I can see much critical acclaim. And for once in my life I find myself in the vanguard, an early adopter of Fujifilm’s latest electronic marvel even before Adobe have caught up.
Do I like it? Well, I sold the Fuji X-T20 within 48 hours of taking delivery of the X-T3 so confident was I after just one play that the older model wouldn’t get a look in unless I left the X-T3 at home; and why would I do that?
As always I will leave the technical stuff and a discussion of the cameras’s specifications to others. I’m an enthusiast photographer rather than a working pro and what matters most to me is that very nebulous quality of the user experience. User experience. Easy to type but very hard to define largely because it will vary considerably from one person to another.
A camera needs to feel “right” in my hand. I can’t write the exact feeling down but know it when I experience it. The X-T3 is a little bigger than my now-departed X-T20 (a camera I really enjoyed using) although it is a form factor I’m familiar with as I already own the X-T1 which is my infrared/full-spectrum camera these days. With one of my primes attached or the 18-55 “kit” lens the X-T1 feels great in the hand. Not perfect but still very, very good. I knew therefore before I placed the order for the X-T3 that I’d be purchasing the battery grip especially if I intended expanding my focal length opportunities by buying a telephoto lens at some point in the future (spoiler alert: that future is now the past).
The X-T3 body with my 35mm f1.4 prime does indeed feel great in the hand and I’ve been using this combination a lot recently. The 18-55 likewise balances well as do the two Samyang primes in my bag (12mm and the fisheye) although the Fuji 55-200 does feel a little front heavy although this was not unexpected. The battery grip though transforms the handling from good to great. It’s good also to have the choice of travelling very light with just body and a 23mm prime for example or putting on the grip for better handling with the bigger lenses and of course three times as much battery power. As an aside, I got 1,216 images (2,432 files as I shoot RAW+JPEG) from one charge using three batteries and the grip which is pretty much what is claimed by Fuji (1,170 from memory is the claim).
The auto-focus is not strictly something many would class as handling but it does contribute to the overall user experience as slow or poor AF can be very frustrating at best. On the X-T1 focusing with the Fujifilm 35mm f1.4 R can be slow and the lens often hunts especially in more challenging conditions. But keep in mind this lens is a venerable OAP in lens-terms having been first released for sale on January 9th 2012. I was therefore amazed and very surprised at the very nifty focusing achieved with the X-T3. It will never compete with more modern lenses in the speed stakes due to its older design and engineering but comparing it on the X-T3 versus the X-T1 does reveal a very welcome improvement in user experience. Of course, this is my subjective view and I’ve not carried out any laboratory testing but at the end of the day it’s how the gear behaves in real life and not in a laboratory that really matter – at least to some of us!
What I’ve not yet had the opportunity to do is a “proper” day out complete with a tripod, numerous lens changes and the deployment of filters but that should be possible next week fingers crossed.
So, all first signs are positive. I never expected to be an early adopter but having got caught up in the excitement as a fellow photographer anticipated the release of the “T3” I found myself swept along and with an order in the basket just the day before the official UK launch. I never expected to get it within 48 hours either. With the 18-55 attached I set off for a few days in Northumberland to celebrate my birthday not really expecting much in the way of photography but nevertheless knowing that I had a pretty capable camera should opportunities arise.
Oh, and that telephoto lens? Our journey from Elland to Northumberland took us pass the Metro Centre in Gateshead and of course the Boss decided that would be an ideal opportunity for a coffee and a break from driving (not that she drives!). Long story short – Jessops – a few secondhand lenses – Fuji 50-140 f2.8. I tried it on an X-T2 body (the shop hadn’t any X-T3 bodies) and knew that I was about to take another irrevocable step into the Fuji-X system. I barely took the lens off the X-T3 for the following three days.
* All images Fiji X-T3 from JPEGs – just wish Adobe would get their finger out! Perhaps I should just move to Capture One 🙂
I’ve said before that there’s a restless quality in some of us that keeps us constantly looking and learning, trying new things and experimenting with new ways to do things. For me it is my photography that provides this platform for experimentation and as I’ve said before I often take on new challenges before the previous one has been fully mastered. Restless you see.
I hit 60 last month (I know, you all thought I was about 12) and wanting to buy me something a little different my wife plumped for the INSTA360 One camera. The clue is in the name – it shoots 360 video and stills. Now, we are not taking DSLR image quality here and at a point when I’ve just upgraded the little Fuji X-T20 for the X-T3 (more of which another day) it seems counterintuitive to be buying a camera with some serious limitations in respect of image quality. But, and this is important, the purpose of buying such a camera, for me, was not to produce 20×16 inch exhibition prints, but to have a bit of fun. At present the biggest audience for 360 images is to be found on social media. The tiny 24mb/4K sensor in the One is more than adequate for the purpose and indeed obsessing about image quality is to miss the point of owning this camera.
One of the side tracks I sometimes take with the drone, especially when the conditions aren’t exactly what I’m looking for in respect of landscape photography, is shooting 360 degree, spherical panoramas and then turning these into “tiny planets”. It’s a niche interest but for a “twelve-at-heart” sixty year old it has proven irresistible. Now, not all of my photographer contacts think so highly of this pastime as I do but I’m not doing this for them, I’m doing it for my inner child. That said, I have now set up a separate Instagram account (Oldie360) to share my 360 images.
The small 360 camera therefore gives me access to another outlet for my photographic exploits. Up until now I’ve not been using is “seriously” as I’m enjoying the fun of creating little selfie-worlds but whilst playing I’m learning. I’ve already realised that using my phone as a Bluetooth trigger is a little limiting so have ordered the small, but relatively pricey (as it currently has to be bought from abroad) INSTA360 remote trigger. This can be used discretely in the hand or if using the selfie stick it can be attached to the stick itself.
I shall write more about this new photographic offshoot over time as I get to grips with its idiosyncrasies but in the meantime enjoy the couple of 360-Selfies I’ve included here.
Me. Selfies. Who’d have thought it!