A 365-2018 Update

We start this round up with image number 22, a 12-second exposure taken with the camera placed on the wet paving of the newly-refurbished Piece Hall in Halifax. I wrote at the time that sat between the night and the morning is a kind of twilight zone that many photographers call The Blue Hour (there’s also one in the evening but it was morning that I was concerned with). I subsequently blogged about the Blue Hour concluding that it was probably nearer 15 minutes!

© Dave Whenham

Image 23 is another “Blue Hour” image and  it turned out to be a little problematic from my perspective.  Old Lane, from which this was taken is quite busy around 7.30am as it is a rat-run for commuters into the town centre. To get the composition I wanted I had to venture onto some private land and had already incurred the wrath of the security man who grudgingly let me have five minutes but hovered a few feet away throughout. This was a 12 second exposure and I was struggling to find a gap in the traffic so in the end I decided to accept the light trail even though I find it a little distracting. Distracting not because of the colour, one fellow 365-er pondered if a red light trail would look better,  but because it is so bold. I’m not sure cropping is the answer as you lose the top of the steps and the splashes of light on the cobbles. Had I more time I would have tried to find a gap in the traffic I think but we work with what we have.  A return with a slightly wider lens so I don’t need to encroach onto private land is one option as is returning at 7.30am one Sunday morning when I suspect the security guys will be less attentive.

© Dave Whenham

Continuing the Blue Hour which seemed to be my theme at least at the start of the week, image 25 was another Blue Hour offering, also taken within the Dean Clough complex in Halifax.  I only took two images  before the heavens opened and I was left scurrying for the car dragging the tripod behind me. My preferred composition had rain drops on the lens and I deliberated between using the weaker of the two images, attempting to clone out the flares or just using the image as-is, all of which deliberation  led to another blog post. The consensus from my fellow 365-ers was that emotion trumps technical perfection however and concurred with my decision to leave the flare alone. That said, I posted all the other configurations to Flickr anyway including a mono for good measure!

© Dave Whenham

Last week was quite busy photographically. Not however in shooting lots of new work, I averaged three frames a day, but made progress in terms of processing some of my backlog of RAW files, posting same to Flickr and writing blog posts. I am still unable to spend too long out in the cold hence arriving at a chosen location, always one I know, taking three or four images and getting back into the car.


Without a doubt my favourite image off the week was taken on Friday the 26th when I pottered down to the canal for the first time in months, albeit in the car rather than walking. The Blue Hour, all fifteen minutes of it, had passed whilst I was driving back to Elland from Halifax, but I was delighted to find a moody sky and knew exactly where to go to take advantage of it. It’s one of the advantages of knowing your patch. I couldn’t resist another visit to this spot this morning (Sunday 28th) . I had found half a dozen compositions on the Friday morning and took the opportunity to add another to my 365. I love the outline of the tree against the sky – something which marks the image out as a winter shot.


Once again, I haven’t posted the whole weeks output which can be found at https://www.flickr.com/photos/fatherpie/albums/72157668013369999

I am really enjoying the 365 thus far; the experience is far better than the 28-day challenge I undertook one February some years ago and once again I think that 63-2017 set me up very well. In fact I would recommend that anyone contemplating starting a 365 on the next 1st January should start on the previous 1st October to get a feel for the discipline and not have too much worries about missing a day.

True, I wake each morning contemplating the image for the day. Those days when I need to take Amanda to work are easier as I grab a camera and know that Dean Clough will have something to offer regardless of the light. Just shy of a third of the images in my 365 as of today were taken in Halifax close to or within the Dean Clough complex. My knowledge of my local patch has come in handy too, especially the two canal-side images at the end of this week when conditions were poor but I knew where a moody, gritty mono might be found! Most days I have my image of the day captured before mid-morning but I do not worry if this is not the case and even on a day like yesterday when the weather is foul, I found a creative image indoors (below); one that would probably have remained “in my head” had I not been undertaking the 365.


That’s it for this round up which covers the period 20th-28th January inclusive. Expect a month one update next week. We are also only nine images from one hundred consecutive daily pictures so expect a further update, incorporating the first six days of February around that time.

Canal – mono (1 image)

Down to the canal for the first time in months this morning. The “Blue Hour”, all fifteen minutes of it, passed whilst I was driving back to Elland from Halifax but I was delighted to find a moody sky and knew exactly where to go to take advantage of it.



The canal is one of my favourite sources of photographic inspiration and prior to last November I was down there several times a month. This was my first visit in almost three months and whilst I didn’t wander far from the car it was a real joy to be there. The moody mono being the icing on the cake.


Emotion or technical excellence?

Continuing the Blue Hour exploration, which seems to be my theme this week, I dropped the wife at work around 7.30am and then set out to capture my 365 image of the day.  I knew I wanted a shot from the carpark outside her offices comprising the view looking back towards “that” snicket and this time of the morning was ideal.

I only took two images however before the heavens opened and I was left scurrying for the car dragging tripod and camera behind me.  It clearly wasn’t going to stop quickly and as I knew from experience that there was only five or ten minutes of the blue “hour” left I decided to go with what I had. Both looked OK on the LCD screen and both should be sharp as they’d been shot on a tripod at f16 – it was worth taking a chance that I had what I wanted and heading for a warm coffee.

© Dave Whenham

Back home I quickly realised that my favourite of the two is the second as it has a stronger composition however there is one snag, it has three rain drops on the lens which given the lighting conditions this morning have flared and stand out very strongly. Removing them is not going to be an easy task, although I will have a go of course. However, I’m trying to present my 365 series largely as-seen with only basic adjustments. So, should I go with the stronger composition despite the hard-to-eradicate drops or should I opt for  the weaker composition with the technically better presentation?

I chose what I felt was the better composition; emotion to my mind is a far more imporatant element in photography than technical perfection and I felt this version (above) better captured the moment. However, accepting that your mileage may vary I have included the “rejected” composition, the mono version of which is shown below.

© Dave Whenham.

For completeness, here is the cloned version of my chosen image together with the mono conversion.

© Dave Whenham

© Dave Whenham


I’m still not fit enough to yomp around woodland or moorland but I’m taking more interest in life, am much more active and have even started thinking again; or that half-baked process that passes for thought in my universe.

6 frames stitched in PS.Tripod mounted
A six-frame panorama

Today I’m ruminating on gear. Not surprising as I recently had to close down and empty my darkroom so it could be used as a bedroom for the ever growing tribe of grand children living at Whenham Towers. Room has been found in the spare (or guest as my wife calls it) bedroom but not as much room as I enjoyed in my, now ex, darkroom. So, it appears that I’m in the process of down-sizing as I believe the modern term for having a good clear out is nowadays. I’ve already carted one black bag of rubbish, or at least newly-categorised-as-rubbish, to the local tip but still have too much for the available space. I know it’s procrastinating but I’ve stored two boxes of stuff under the desk rather than sort it out. It won’t fool the Boss forever but until she does spot it I can put off the inevitable for just a bit longer (if I’m being realistic she’s already spotted it but is waiting to see if I sort it of my own volition).

© Dave Whenham
Jusst the camera and a lens – nothing from the many boxes of odds and ends I possess was used in making this simple image.

But why procrastinate? Cerebrally I know that much of it will never be used again, at least not by me, nor will it be of much use to others. I have a huge box of Cokin filters for instance that I once gave away to a fellow photographer. Eighteen months later, convinced of the value of on-camera filtration, he upgraded to Lee filters and returned them! Not only that he’d added to the collection too in those eighteen months so the box floweth over.

The trouble is that in the past I’ve been too quick to declare items no longer required and then subsequently regretted it. The most obvious example was the 1000+ vinyl LPs, some of which I sold and some of which I gave away when I no longer had room for a turntable.  I was lucky that around fifty of my absolute favourite LPs went to a good friend who when he heard I’d bought a new turntable kindly returned them to me. But I still have nightmares about the other 950+ which represented my teens and early twenties more acutely than any diary or even photograph could.

© Dave Whenham
Buckstones Edge – I’m looking forward to yomping around this location again soon.

It’s not just personal possessions I’ve hoarded in the past. When we moved up north I left behind a collection of left over timber that would have filled a skip, indeed probably did fill a skip (I left it for the new owners with a note saying that I hoped it would be of use. The three biscuit tins laden with screws, nails and nuts and bolts made it on to the removal lorry and are still sitting on the shelf where I placed them sixteen-plus years ago upon moving into this house.

But I digress, I’m supposed to be talking about photography gear or at least my aversion to throwing out or passing on anything. I think the biggest problem is that some, a very small some it has to be said, of these accumulated items have proved useful at times. Take the two tripod heads from cheapo tripods. When the legs inevitably collapsed I salvaged the heads, themselves cheapo pieces of kit, and put them away “just in case”. Last week these came in very handy as makeshift flash stands when playing with the SplashArt kit. Small enough to sit in the midst of everything, robust enough to hold the flash unit and not likely to be over taxed in the process.

© Dave Whenham
Two hoarded tripod heads DID come in useful in the making of this image.

I wasn’t sure where this blog post was going when I started, and I’m not sure where it’s got to now I’m almost finished but one thing I do know is that the boxes still need sorting and it’s only a matter of time before senior management get on my case!

The “Blue Hour”

Sitting between the night and the morning is a kind of twilight zone that many photographers call The Blue Hour (there’s also one in the evening but it is this very morning that I’m concerned with).  Although I have not yet found an official definition for the blue hour, the blue color spectrum is I am reliably informed by Master Wiki most prominent when the sun is between 4 and 8° below the horizon. In my experience it isn’t actually an hour, its effects are often only apparent for between 20 and 40 minutes but that’s possibly nit picking really, most photographers will know what I mean by “blue hour”.

© Dave Whenham

I enjoy the blue hour particularly when shooting in an urban environment. In towns and cities, buildings are still illuminated, Windows are lit and streetlights are often still on, making it an ideal time for urban photography. It’s also ideal for landscape photography because of the different shades of the sky and colour saturation but for me the magic lies in the urban environment.  However, I find this brief period before it comes properly light to be both frustrating and productive in equal measure.

This morning’s blue hour started for practical purposes around 7:20am here and by 7:45am was basically all over. When this period coincides with wet pavements and clear skies it can be magical. The key in my view is knowing your patch. It also helps to moderate your expectations.

© Dave Whenham

This morning after dropping the wife at work I knew I had around 15 minutes of usable blue hour available so there was not time for a leisurely stroll looking for compositions. It had been raining off and on all morning so the pavements were wet which was ideal. I decided that a shot of the Dean Clough complex from the bridge outside the leisure centre would make a good shot in these conditions and it also had the benefit of being a hundred yards from where I had dropped the wife off.

On the way in I had driven past the entrance to the Piece Hall and not d the doors were open so having secured the Dean Clough image I jumped in the car and drove across to the Hall. At that time of the morning I was able to park easily outside the entrance and as it was still pre-8am it didn’t cost a penny either. I had two compositions in mind both requiring a large depth of field but fortunately both were to be shot with the camera on the paving so there was no need to grab the tripod.

© Dave Whenham

Two locations, three images and twenty minutes later I was heading to a local cafe for a restorative black coffee… I might have had a butty too!

A Damp Autumn Day

I’ve been catching up on a backlog of post-processing these last couple of days, in between playing with water that is. Here’s a few from my last autumnal outing on a damp. overcast day when the autumn colours were faded and past their best.

How it appeared on the day
© Dave Whenham
A darker edit
Playing with depth of field
It really was miserable conditions

I managed a few intentional camera movement (ICM) images before the heavens opened and I legged it for the car. I still got very wet and it was probably this outing that lead to my incarceration with what we now think my have been pneumonia.