I’m still getting used to the Fuji X-T10 and when the opportunity arose yesterday for a few hours on Marsden Moors I grabbed the camera, the Samyang 12mm and my Lee filters and headed for the moors. Let me firstly say that it was freezing and windy up there. It was warm and still when I set off and therefore I was in shorts and a fleece but fortunately my old coat was lurking in the boot of the car as when I stepped out on Buckstones Edge (also known locally as Nont Sarah’s) it was anything but warm and still.
To my mind it takes a brave soul to leap off Buckstones Edge to go paragliding but when I arrived there were four such hardy individuals in the air. With a 12mm lens I was never going to capture action images but they do add a sense of scale (above).
I had previously experimented with using the Lee Seven5 filter system on the Samyang 12mm lens but found that the full-sized 100mm Lee filters were less problematic particularly when stacking filters. Even so, when using the polariser (above) there was slight vignetting in the corners. Not a huge deal as it could be handled in post-production but nevertheless worth remembering. Another way around the problem is to frame the scene a little larger than you need in order to crop out the corners I guess.
So despite the user being rather cold the Lee 100mm system acquitted itself well up on Buckstones Edge and the smaller size of the X-T10 and Samyang, compared to a Nikon D800E and 14-24 f2.8, was not a problem in any significant way. I did need to get my reading glasses out at times to check the screen information but I do that with my Nikons too.
I tried some long exposures with both Little and Big Stoppers but the sky was coming out mainly white with few streaks of colour so gave that up for another day and headed down to Scammonden Water to try my luck there.
The vegetation around the beck, indeed around the whole of the area was particularly lush and verdant and so I did something I’ve never done before and switched the shooting mode to Velvia. I am a big fan of Velvia transparencies but have never been convinced by Velvia simulation modes on cameras or indeed plug-ins for post production. However, in the spirit of getting to know the X-T10 I turned it on safe in the knowledge that I was shooting RAW+JPEG so had a safety net.
As I think the image above shows, the “Velvia” JPEG, this is straight out of the camera, did a pretty good job overall. Velvia was noted for highly saturated, vivid colours and the X-T10 simulation delivers just that.
I work mainly in black & white but have to say that the richness of these JPEGs means that I have lost my aversion to Velvia simulations. I was already a fan of the “Classic Chrome” simulation on the X-T10 but in the right situation I think that the Velvia option is worth using too.
So, my “journey” with the Fuji’s continues to be very positive and I am starting to really appreciate how this system can complement and work alongside my larger Nikon DSLR-based system.
All images © Dave Whenham