I took the Hasselblad with me to the Isle of Skye recently and this weekend I developed the black & white film before retiring to the darkroom to print a couple of frames.
It’s been three weeks since I printed owing to the trip away and other domestic duties and I was keen to get in the darkroom to try the Fotospeed RCVC Oyster paper I bought recently. It proved to be an excellent choice of paper and I was very pleased with the outcome.
My favourite from the first roll out of the Hasselblad was taken on the road to Elgol showing a small group of birch trees on a limestone outcrop. There was a lingering mist and scudding clouds so it was not ideal weather nor light but I was keen to capture the atmosphere and the roll of FP4+ made the Hasselblad the perfect tool for the job.
The paper is a variable contrast paper, something I never used back in the 1970s, and my initial test print was printed on an equivalent grade of 2½ which rendered the cloud and mist very nicely. After producing the envisaged print (above) I then experimented with a harder grade which made a dramatic difference to the foreground and even accentuated a narrow band of light falling at the foot of a distant mountain.
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